No. No. I'll get rid of her. (_Runs to window, and leans
out--calling_.) Don't wait, my dear. I'm busy. I'll be with you soon.
ROSALINE (_contemptuously_).
Why, you're scared out of your life of her I can see! I have had enough
of this,--I don't want the job. (_As if to go_.)
REMBRANDT TEMPENNY.
(_Leaving window and running back to her_). I tell you if you don't sit
to me I'm a ruined man. Rosaline, I implore you!
MRS. TEMPENNY (_off_).
I am coming up at once.
REMBRANDT TEMPENNY (_rushing to window again_).
On no account, my darling, I can't be disturbed.
ROSALINE.
I'm off. Ta-ta.
REMBRANDT TEMPENNY (_back to her again_).
You shan't go--I'll lock you in first. There! (_Locks door, and takes
out key_.)
MRS. TEMPENNY (_off_).
Rembrandt, I must come up. Something is the matter.
REMBRANDT TEMPENNY.
No, no, no. Go home, and see the tradespeople, catch! (_Takes out the
two sovereigns, and runs to window again: in his excitement he throws
with the wrong hand--throwing out key_.) Good Lord! I've thrown her the
key. (_Leans out of the window_.) She is coming upstairs. Skip inside
there till she goes. Hurry! (_Motions_ ROSALINE _off R_.)
ROSALINE (_scornfully_).
Wives, wives, wives!
(_Exit Rosaline_.)
MRS. TEMPENNY.
Rembrandt! Why did you keep me waiting--there's a sheriff's officer on
his way here with a warrant. He has been at the house, and the servant
ran round to Sylvester's to tell me. You must escape.
REMBRANDT TEMPENNY.
Escape?
MRS. TEMPENNY.
Fly!
REMBRANDT TEMPENNY.
I can't fly--I am not built for flying.
MRS. TEMPENNY.
Then you must hide.
REMBRANDT TEMPENNY.
Where?
MRS. TEMPENNY.
(_Pointing to room where Rosaline is concealed_.) There!
REMBRANDT TEMPENNY.
No, no, Hark!
(_Very heavy steps are heard ascending stairs_.)
REMBRANDT TEMPENNY.
I hear a footfall.
MRS. TEMPENNY (_in terror_).
Hide yourself--quick.
REMBRANDT TEMPENNY (_in terror_).
I can't.
MRS. TEMPENNY.
Why not?
REMBRANDT TEMPENNY (_loftily_).
A hero never hides. Ah, I have it. I'll jump from the window.
(_Struggles into his coat and hat_.)
MRS. TEMPENNY.
There is the conservatory underneath.
REMBRANDT TEMPENNY.
I'll jump clear of it. Don't let him in for a minute.
(_He plants a lay-figure in front of canvas, with its back to door in
flat, then proceeds to dress it up to resemble himself at work. Brush
in hand, etc_.)
GROGGINS (_off_).
Mr. Tempenny!
(_Knocks at door_.)
MRS. TEMPENNY.
Who's there?
(_She goes to door, half opening it, so that_ GROGGINS _has a partial
view of lay-figure_.)
GROGGINS.
I have a warrant here for Mr. Rembrandt Tempenny--matter of forty pun'.
MRS. TEMPENNY.
Sh! He is painting.
GROGGINS.
I can't help whether he's painting or not, marm. The question is
whether he is paying or not.
MRS. TEMPENNY.
Man, my husband cannot be disturbed. Don't you see?--he is inspired.
GROGGINS.
Well, he'll be in--Wandsworth if he don't part.
MRS. TEMPENNY.
Sh! talk softly. Your voice will jar upon him.
Public-domain text, read in full here on John Shaqi.
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