Illustrated history of ancient literature, oriental and classicalQuackenbos, John D. (John Duncan)
History
Illustrated history of ancient literature, oriental and classical
Quackenbos, John D. (John Duncan)
Classical literature -- History and criticism; Oriental literature -- History and criticism
=The Chinese Classics= comprise the Sacred Books already alluded to,
viz., the Five King; also the Four Shoo, or Books of the Philosophers
(Confucius and the writers of his school). _King_ is the equivalent
of our word _text_, and the Five Sacred Texts are the YIH King, Book
of Changes; the SHOO King, Book of History; the SHE King, Book of
Poetry; the _Le Ke_ King, Book of Rites; and the Spring and Autumn, an
historical record of events in the native state of Confucius, from 721
to 480 B.C. It was written by that philosopher himself, who so entitled
it because “its commendations were life-giving like spring, and its
censures life-withering like autumn.” The first four King, which rank
with the most ancient creations of the human mind, were compiled and
published by Confucius; the Book of Rites, originally drawn up by the
ruler of Chow in the twelfth century B.C., received additions from
subsequent writers. (_See Johnson’s “Oriental Religions: China.”_)
Little is known of the true nature of the mysterious Book of Changes;
it apparently relates to divination. The Shoo King gives us the
history of China from the earliest periods to about 720 B.C., and
contains, besides, discourses on music, astronomy, and the principles
of government. Part of it was dictated from memory by a blind man after
the destruction of the original tablets.
In the She King, we have a collection of 305 odes and hymns. Many
of them, more than three thousand years old, were written while the
Chinese Empire was as yet a mere bundle of feudal states; here, as in
all other lands, the first grand thoughts of the people were cast in
the mould of poetry. The odes are in rhyme, and mirror the every-day
life and simple manners of antiquity—often in a highly metaphorical
style, but with a dignity and attractiveness which the later poetry
fails to exhibit. They paint pleasing pictures of rural quiet, contain
delicate touches of nature, and in some few cases display a high
appreciation of woman’s worth; on the whole, however, the status
assigned to the gentler sex is low. Extracts from the Book of Poetry
follow.
FESTAL ODE.
(Celebrating a feast given by an ancient king.)
“See how the rushes spring
Thickly along the way!
Ye browsing herds, no foot
Upon those rushes lay!
Grown to their height ere long,
They soft and rich shall shine;
Close as the rushes grow,
Should brethren all combine.
Let all at feast appear,
None absent, none thought mean.
Mats for the young be spread!
On stools let elders lean!
Lo! double mats are spread,
And stools are featly set.
Servants in waiting stand;
See! host and guests are met.
He pledges them; they him;
He drinks, again they fill.
Sauces and pickles come,
Roast meat, and broiled; and still
Palates and tripe are brought.
Then lutes and drums appear,
Singers fine concord make—
The joyous feasters hear.
Public-domain text, read in full here on John Shaqi.
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