Illustrations of political economy, Volume 2 (of 9)Martineau, Harriet
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Illustrations of political economy, Volume 2 (of 9)
Martineau, Harriet
Didactic fiction, English; Political fiction, English; Social problems -- Fiction
“Lord have mercy upon us!” groaned Mitchelson. “What may happen if we
cannot get home?”
“I was not aware there was any danger,” replied Alfred. “What is our
danger? not wild beasts, nor cold, nor hunger; we can light a fire——”
“O! my poor wife. O! my children. Their friends will leave them,
supposing we are coming.”
“I am sorry for the fright they will have,” said Alfred; “but surely
they will not think any great harm can befall us before morning?”
“O! what may not have happened before morning? Alfred, I had rather you
and I had to battle with wild beasts than women with slaves. If the
wretches find out my absence——”
The cause of all this terror now flashed upon Alfred: the same cause
which made Mitchelson carry his family with him wherever he went. He was
afraid to leave his household in the power of his slaves. Yet this was
the country where (so people are told in England) slaves are contented
and happy, and, in every respect, better off than the free peasantry of
the empire! This was the country whose proprietors dared to complain of
the inefficiency of British law for the security of property! The
present was not the moment, however, for venting his indignation, or
pointing to the obvious truths which stared him in the face. Alfred
looked on his terrified companion as he sat trembling on the trunk of a
fallen tree, and felt nothing but pity. He could not triumph while he
knew that the unhappy man was scared with visions of burning
cane-fields, of a murdered wife and insulted children.
“Do not let us give up, if you are really very anxious to get home,”
said Alfred gently. “I can guide you a little way back, I believe; and
if you will but compose yourself, you may observe some familiar object
before long which will help us into the right track. We may yet be home
before midnight.”
Public-domain text, read in full here on John Shaqi.
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