Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his worksChambers, Robert
History
Illustrations of the author of Waverley : $b being notices and anecdotes of real characters, scenes, and incidents supposed to be described in his works
Chambers, Robert
Scotland -- In literature; Scott, Walter, 1771-1832
Nevertheless, H—— was not utterly given up to Sunday debauches,
nor was he destitute of a sense of religion. He made a point of
always going to church on rainy Sundays—that is to say, when his
neckcloth happened to be in its honey-moon, and the button-moulds
of his vestments did not chance to be beyond their first phase. He
was not, therefore, very consistent in his devotional sentiments and
observances; for the weather shared with his tailor the credit of
determining him in all such matters. He was like Berwick smacks of
old, which only sailed, “wind and weather permitting.” When, however,
the day was favourably bad, he would proceed to the High Church of
St. Giles (where, excepting on days of _General Assembly_, there are
usually enow of empty seats for an army), and, on observing that the
Lords of Session had not chosen to hold any _sederunt_ that day, he
would pop into their pew. In this conspicuous seat, which he perhaps
considered a sort of common property of the College of Justice, he
would look wonderfully at his ease, with one threadbare arm lolling
carelessly over the velvet-cushioned gallery, while in the other hand
he held his mother’s old black pocket Bible—a relic which he had
contrived to preserve for an incredible number of years, through a
thousand miraculous escapades from lodgings where he was insolvent,
in memory of a venerable relation, whom he had never forgot, though
oblivious of every other earthly regard besides.
Mr. H——’s _Shadow_, whom we mentioned a few pages back, however
unsubstantial he may seem from his _sobriquet_, was a real person,
and more properly entitled Mr. NIMMO. He had long been a dependant
of H——’s, whence he derived this strange designation. Little more
than the shadow of a recollection of him remains as _materiel_ for
description. He bore somewhat of the same relation to his principal
which Silence bears to Shallow, in Henry IV.,—that is, he was
an exaggerated specimen of the same species, and exhibited the
peculiarities of H——’s habits and character in a more advanced stage.
He was a prospective indication of what H—— was to become. H——,
like Mr. Thomas Campbell’s “coming events,” cast his “shadow before;”
and Nimmo was this shadow. When H—— got new clothes, Nimmo got the
_exuviæ_ or cast-off garments, which he wore on and on, as long as
his principal continued without a new supply. Therefore, when H——
became shabby, Nimmo was threadbare; when H—— became threadbare,
Nimmo was almost denuded; and when H—— became almost denuded, Nimmo
was quite naked! Thus, also, when H——, after a successful course of
practice, got florid and in good case, Nimmo followed and exhibited a
little colour upon the wonted pale of his cheeks; when H—— began to
fade, Nimmo withered before him; by the time H—— was _looking thin_,
Nimmo was _thin indeed_; and when H—— was attenuated and sickly,
poor Nimmo was as slender and airy as a moonbeam. Nimmo was in all
things beyond, before, ahead of H——.
Public-domain text, read in full here on John Shaqi.
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