_Porson._ You are more liberal in your largesses to the fair Greeks than a friend of mine was, who resided in Athens to acquire the language. He assured me that beauty there was in bud at thirteen, in full blossom at fifteen, losing a leaf or two every day at seventeen, trembling on the thorn at nineteen, and under the tree at twenty. _Southey._ Mr. Porson, it does not appear to me that anything more is necessary, in the first instance, than to interrogate our hearts in what manner they have been affected. If the ear is satisfied; if at one moment a tumult is aroused in the breast, and tranquillized at another, with a perfect consciousness of equal power exerted in both cases; if we rise up from the perusal of the work with a strong excitement to thought, to imagination, to sensibility; above all, if we sat down with some propensities toward evil, and walk away with much stronger toward good, in the midst of a world which we never had entered and of which we never had dreamed before--shall we perversely put on again the _old man_ of criticism, and dissemble that we have been conducted by a most beneficent and most potent genius? Nothing proves to me so manifestly in what a pestiferous condition are its lazarettos, as when I observe how little hath been objected against those who have substituted words for things, and how much against those who have reinstated things for words. Let Wordsworth prove to the world that there may be animation without blood and broken bones, and tenderness remote from the stews. Some will doubt it; for even things the most evident are often but little perceived and strangely estimated. Swift ridiculed the music of Handel and the generalship of Marlborough; Pope the perspicacity and the scholarship of Bentley; Gray the abilities of Shaftesbury and the eloquence of Rousseau. Shakespeare hardly found those who would collect his tragedies; Milton was read from godliness; Virgil was antiquated and rustic; Cicero, Asiatic. What a rabble has persecuted my friend! An elephant is born to be consumed by ants in the midst of his unapproachable solitudes: Wordsworth is the prey of Jeffrey. Why repine? Let us rather amuse ourselves with allegories, and recollect that God in the creation left His noblest creature at the mercy of a serpent. * * * * * _Porson._ Wordsworth goes out of his way to be attacked; he picks up a piece of dirt, throws it on the carpet in the midst of the company, and cries, _This is a better man than any of you!_ He does indeed mould the base material into what form he chooses; but why not rather invite us to contemplate it than challenge us to condemn it? Here surely is false taste.