Impressions and Experiences of a French Trooper, 1914-1915Mallet, Christian
History
Impressions and Experiences of a French Trooper, 1914-1915
Mallet, Christian
World War, 1914-1918 -- Campaigns -- Belgium; World War, 1914-1918 -- Personal narratives, French
This made the fourth time that I had made this disquieting journey. I
began to feel that I had had enough of it, the more so as I had walked
twelve kilomètres, and, not being accustomed to carrying a pack, my back
hurt me. Clère was quite knocked up, and had looked at once so sad and so
comic that I did not know whether to laugh at him or to pity him.
The regiment settled in more or less (rather less) in the sector reserved
for it. The cellars were crowded. My orderly, who was a treasure of
devotion and very inventive, arranged my kit, found me a candle and
spread a mattress. I was kept on the run, everyone called me at once: “A
man wanted for the guard-room, a liaison officer to see the Captain, a
man wanted for water fatigue, the quartermaster-sergeant wants to know
how things are here, the 3rd troop have no billets and so on.” ... I
tried to reply to everyone, and my head was like a whirlpool. It was
impossible to keep the men in, though there were strict orders that they
were not to leave the cellars. They broke out in every direction, and,
in spite of the shells, they amused themselves like children, entering
the houses at the peril of their lives. One of them brought me a stuffed
stork; another a cornet and a draught screen; my orderly came last with a
woman’s mantlet, trimmed with lace!
Towards six o’clock the rain of shells ceased.
After dinner not a sound was heard. The cold was cruel. I wrapped
myself in my greatcoat and turned up the collar above my ears. I stuck
my head well into my fatigue-cap and, to amuse myself, I started off
on “reconnaissance,” armed with an electric lamp. I visited twenty
gutted houses, and this diversion was becoming monotonous when, from a
particularly damaged court, I heard a somewhat uncertain hand playing
the piano. The air was one of those old waltzes which dragoons dote on
and which suggest Viennese softness combined with the popular taste of
the Boulevards. There was no light in the yawning house. One might have
called it the house of Usher, at least I thought of that spontaneously,
for there was something weird about those black holes from whence came
this sad and popular jingle, though the eye was conscious of nothing but
darkness.
My ideas wandered for a moment, but, noticing a ray of light at my feet,
I found the key of the enigma: some lascars had brought the piano down
to the cellar to be more at their ease. At the foot of some ten steps,
or rather of a steep slope—I learnt afterwards that, in coming down
stairs, the piano had done the work of a “105”—I had only to pull a
canvas curtain aside slightly to see what was going on inside. It was an
affecting scene.
Public-domain text, read in full here on John Shaqi.
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