Impressions of England; or, Sketches of English Scenery and SocietyCoxe, A. Cleveland (Arthur Cleveland)
History
Impressions of England; or, Sketches of English Scenery and Society
Coxe, A. Cleveland (Arthur Cleveland)
England -- Description and travel
confidingly made a sharer; but I cannot withhold a tribute to the
character of a true Bishop, who has incidentally enabled me to testify
of at least one English prelate, that “he serves God with all his
house,” and makes that service the one thing indispensable and most
important, in all the distributions of private life, its kindly offices,
and endearing charities.
I accompanied his Lordship, next day, into Oxford, where he preached at
St. Ebbe’s to a very large congregation. This Church is very plain and
countryfied—astonishingly so for Oxford; but the worshippers were
devout and earnest in their attention. The sermon was suited to the
Service for the day, and I was not disappointed in the manner, nor yet
in the matter, of it. The Bishop is a truly eloquent man. His voice is
sweet, and often expressive of deep feeling, or of tender emotion. He
uses more action than most English preachers, or rather he has much less
of inactivity in his preaching. Occasionally he looks off from his
manuscript, and launches into warm extemporaneous address. Altogether, I
regard him as very happily combining the advantages of the English and
American pulpits. More than any other of whom I know anything, he unites
the delicacy and refinement of the former with the earnestness and
practical effect of the latter.
After a short visit to Wadham College, where I had the pleasure of
meeting the late Vice-Chancellor of the University, Dr. Symmons, we
returned to Cuddesdon. Our road lay through the village of Wheatley,
where the bells were chiming for service as we passed. Ascending the
hills, we alighted and walked; and, by and by, the good Bishop, pointing
to a little hamlet not far off, said to me, “there lived, once upon a
time, a man named John Milton. There is Forest Hill—there is
Shotover—and walking over these hills, he composed _Allegro_ and
_Penseroso_.” How it thrilled my soul, as I listened to his words, and
looked delightedly over the scenes to which he directed my attention! We
soon reached Cuddesdon, and attended divine service in the parish
Church, which was filled chiefly with a rustic people, many of them in
hob-nailed shoes, and brown frocks, neatly arrayed, but in the manner of
a peasantry, such as we know nothing about in America. The chancel of
the Church has been lately restored by the Bishop, and is in excellent
taste and keeping throughout. The Church itself is a cruciform one,
originally Norman, but much altered, and in parts injured, during
successive ages. Its aisles are early English; but many details, in
perpendicular, have been introduced in different portions of the pile.
Here and there in the wood-work are touches of Jacobean re-modeling.
Still, altogether, it is a most interesting Church, and it afforded me
great pleasure to worship there, with the rustics and their Bishop, and
with a pretty fair representation of the divers ranks of English
society, all uniting, happily and sweetly, in their ancestral worship.
Public-domain text, read in full here on John Shaqi.
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