In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
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In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
There was silence for a few moments. Erato, stretched lazily on the
floor, looking up at the dim-lit roof of the cloud-chamber, let her
pretty lips curve half-way to a smile, when she checked herself
suddenly; she never could keep her thoughts still for a moment,--they
flew from poor Clio’s story to a story of her own. She was thinking
now of a hot summer night in Sicily, and of one who walked across
the low hills, with flocks pattering softly after him, and seen but
indistinctly in those fragrant moments when the evening touches the
darkness. She thought of him. As he went, he piped a melody--a simple
strain enough, but with one of those quaint refrains that nestle down
in the memory of a man. Ah--and afterwards!
“Clio,” she said, drawing a long breath, “I have a story, sweet and fit
for a summer night, a story of the joyousness, and rapture, and sorrow
of Love. Will you hear it?”
“Ah, yes, Clio!” said Terpsichore. “Erato once told me a story, and it
was so lovely and dreamy. It had the temper of soft valse music. One’s
heart throbbed to it: one lived to it, as it were. Let us hear Erato’s
story.”
“Not just yet, I think,” answered Clio. “We must not forget that
Granta lies beneath us. Far down below our feet, one sits--a young
man with red hair--amid many dictionaries. He is turning into Latin
elegiacs those beautiful lines--I quote from memory--
His head was bare, his matted hair
Was shaved to keep him cool.
Already he has seven feet in his hexameter, and knows it not, because
the gods do not like him. If we let thoughts of love stray forth from
our cloud-chamber, and flutter down into that young man’s red head, I
fear that he would never get the pentameter at all. No, Erato, to these
young men love is a disturbing influence; they avoid the maidens, and
care only for a surer knowledge of Greek accentuation. When they have
all gone to bed, you shall tell your story; great personages in history
have fallen in love; I myself have no prejudice against it. But you may
choose which of us shall tell the next story.”
Erato sighed, and glanced round the room. When her eyes fell on Euterpe
her face brightened. And truly Euterpe was good to see: she had a
wonderful grace of body, and fresh gladness in her eyes; yet there
was a depth in the look of her; it was the look of one not easily
understood, of one who could feel a sorrow.
“I choose Euterpe, because she is so beautiful.”
A little flush came into Euterpe’s cheeks; her lips parted, showing her
small white teeth. She was ever shy and quiet.
“I would sooner sing to you,” she said. “I am more used to singing.”
“No, dear, it must be a story,” said Clio firmly.
“And perhaps a song will come into it,” added Erato sweetly.
Then Euterpe told this story. And all the time that she was telling it
Erato sat gazing upward into Euterpe’s eyes.
* * * * *
Public-domain text, read in full here on John Shaqi.
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