In a Canadian Canoe; The Nine Muses Minus One, and Other StoriesPain, Barry
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In a Canadian Canoe; The Nine Muses Minus One, and Other Stories
Pain, Barry
English wit and humor
On one side of the road was a cottage, standing by itself, and partly
screened by the shrubs which grew in the small garden in front of it.
Here the man stopped short, for the lower windows of the cottage were
open, and from within he could hear some one singing the very song
which he had just been humming. Some one? Why, it could be no other
than Viola herself who was singing it like that! He had always been
interested in Viola, although he had seen her only on the stage. It
was her reputation that she loved splendour and luxury. What could she
be doing in this quiet, out-of-the-way village?
He leaned over the low garden gate, resting his elbows on the top of
it, and listened until the song’s conclusion. The room in the cottage
was brightly lighted, and the curtains were not drawn over the window;
he had heard rightly; it _was_ Viola. He could see her distinctly. She
was standing with her face towards the garden; and the man watched her
attentively. The mystery increased. Her dress was brilliant, not the
dress that a woman would put on in solitude and in a country village.
She was wearing her diamonds too--those diamonds about which every
story had been told except the true one. What was the reason for it
all? Was this simply her passion for splendour, existing even when the
splendour was to have no witnesses. The little, shabby, taciturn old
woman who acted as her companion in London was seated at the piano, and
had been playing the music for her song. But surely Viola would not
have made herself so magnificent simply on her account.
It suddenly dawned on him that he was doing rather a mean thing by
watching Viola in this way. He would not look any more, but he would
wait, in case she should be going to sing again. That was love of
music--not curiosity.
But even as he was making this decision the door of the cottage opened,
and Viola came out. She walked straight up the pathway towards the gate
on which the man was leaning; there was not the least hesitation about
her.
“I wonder how on earth she managed to see me in this darkness?” he
thought. “Well, I’m not going to run away. I will wait, and make my
apologies to her. I expect she will be angry with me. Well, she should
not leave the windows open when she sings, if she does not want people
to stop and listen.”
As she drew near to him she murmured a few words in Italian, as if she
were pleased about something; he conjectured that much, for he could
not understand Italian. Then she astonished him by placing her hands on
his shoulders, and kissing him, once, passionately.
It flashed across him for an instant that she had been expecting some
one else, and had made a mistake. Now he understood the dress, the
diamonds--everything.
“Excuse me, my dear lady,” he said, “but you are kissing the wrong
face--are you not?” He afterwards thought that he might have expressed
himself better, but he was agitated.
Public-domain text, read in full here on John Shaqi.
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