In a steamer chair, and other shipboard storiesBarr, Robert
General
In a steamer chair, and other shipboard stories
Barr, Robert
Ocean travel -- Fiction; Sea stories; Short stories
“Well, I shall walk to the end of the terrace, and give you a chance to
try your wiles. But I am ready to bet ten dollars that you don’t
succeed.”
“I’ll take you,” answered the young lady.
“Yes, you said you would that night on the steamer.”
“Oh, that’s a very good way of getting out of a hopeless bet.”
“I am ready to make the bet all right enough, but I know you haven’t a
ten-dollar bill about you.”
“Well, that is very true, for I have changed all my money to English
currency; but I am willing to bet its equivalent.”
Morris walked to the end of the terrace. When he got back he found that
the door of the house was as wide open as the gates of the park had
been.
“There is something uncanny about all this,” he said. “I am just
beginning to see that you have a most dangerous power of fascination. I
could understand it with old Giles, but I must admit that I thought the
stern housekeeper would—”
“My dear George,” interrupted Katherine, “almost anything can be
accomplished with people, if you only go about it the right way.”
“Now, what is there to be seen in this house?”
“All that there is to be seen about any old English house. I thought,
perhaps, you might be interested in it.”
“Oh, I am. But I mean, isn’t there any notable things? For instance, I
was in Haddon Hall once, and they showed me the back stairway where a
fair lady had eloped with her lover. Have they anything of that kind to
show here?”
Miss Earle was silent for a few moments. “Yes,” she said, “I am afraid
they have.”
“Afraid? Why, that is perfectly delightful. Did the young lady of the
house elope with her lover?”
“Oh, don’t talk in that way, George,” she said. “Please don’t.”
“Well, I won’t, if you say so. I admit those little episodes generally
turn out badly. Still you must acknowledge that they add a great
interest to an old house of the Elizabethan age like this?”
Miss Earle was silent. They had, by this time, gone up the polished
stairway, which was dimly lighted by a large window of stained glass.
“Here we are in the portrait hall,” said Miss Earle. “There is a
picture here that I have never seen, although I have heard of it, and I
want to see it. Where is it?” she asked, turning to the housekeeper,
who had been following them up the stairs.
“This way, my lady,” answered the housekeeper, as she brought them
before a painting completely concealed by a dark covering of cloth.
“Why is it covered in that way? To keep the dust from it?”
The housekeeper hesitated for a moment; then she said—
“The old Squire, my lady, put that on when she left, and it has never
been taken off since.”
“Then take it off at once,” demanded Katherine Earle, in a tone that
astonished Morris.
The housekeeper, who was too dignified to take down the covering
herself, went to find the servant, but Miss Earle, with a gesture of
impatience, grasped the cloth and tore it from its place, revealing the
full-length portrait of a young lady.
Public-domain text, read in full here on John Shaqi.
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