In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and homeGriffith, George Chetwynd
History
In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and home
Griffith, George Chetwynd
Crime; Criminals; New Caledonia -- Social conditions -- 19th century; Penal colonies -- New Caledonia
Then I went to the Direction, and in a few minutes I was sitting in a
half-darkened, comfortable room, with double doors, through which no
sound could penetrate. This room is the centre of the system which really
controls the destinies of bond and free throughout New Caledonia. On the
other side of an ample writing-table sat a square-headed, strong-jawed
man of about five-and-thirty, with close-cropped hair, and moustache and
shaven chin _à l’Anglais_.
This was M. Edouard Telle, Director of the Penitentiary Administration
for New Caledonia and Dependencies, the strongest, politest, and most
friendly Frenchman I have ever met.
He is supreme chief of an army of commandants, surveillants, and jailors,
whose duty it is to keep watch and ward over between ten thousand and
twelve thousand convicts, _relégues_ and _libérés_—terms which I have
already explained.
He is absolutely independent of the Governor, who cannot even employ
convicts on public works without his permission. He is responsible to
no one but the Minister of Colonies and the President of the Republic,
and they are many a long thousand miles away. With the stroke of a pen
he could instantly stop all convict labour throughout the colony, and so
bring its principal industries to a standstill. It was he, too, and not
the Governor, who could have issued that ukase which would have closed
the prisons and turned my long journey into a wild-goose chase.
[Illustration: In the Harbour, Noumea.]
But, instead of this, he took quite as much trouble with me as if I had
been an inspector sent out by the French Government, rather than a
wandering Englishman who was only there on sufferance. He took the utmost
pains to find out exactly what I wanted; he mapped out my journeys for
me; gave me special passes authorising me to inspect all the prisons and
camps _en détail_—which is a very different thing to the ordinary, but
still rarely bestowed, visitor’s pass.
He addressed a circular letter to the commandants, enjoining them to do
everything to help me; and, not content with this, he telegraphed to each
prison and camp so that conveyances might be ready for me. At the same
time, when I suggested fixing dates, he replied:
“No, Mr. Griffith, go when you please. I wish you to see the
establishments exactly as they are always, and not as they might be if
they were got ready for you. When you have seen them come back and tell
me what you think of them. From what you have told me of your English
prisons”—this was at the end of a somewhat long conversation—“your
opinion will be most valuable to me.”
Then I thanked him, and mentioned the delicate subject of photographs,
and his good nature and indulgence once move proved equal to the strain.
“Photograph anything you please,” he said, “inside or outside the
prisons; but I shall ask you to remember that good English rule of yours
about photographing individual prisoners.”
Public-domain text, read in full here on John Shaqi.
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