In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and homeGriffith, George Chetwynd
History
In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and home
Griffith, George Chetwynd
Crime; Criminals; New Caledonia -- Social conditions -- 19th century; Penal colonies -- New Caledonia
Then, after a look into the two little exercise-yards, we mounted to
the second storey. Here I noticed that the cells had no windows and no
gratings in the doors. Some of them had little cards affixed to them.
I went and read a couple of these; they contained the names of the
prisoners, their first sentence, their subsequent offences, and their
present sentences.
In these two cases it was “ten years’ solitary confinement in the dark.”
Then I knew that I was standing in front of the terrible Cachot Noir,
or Black Cell—that engine of mental murder which the sentimentalism of
French deputies, some of them amnestied _communards_, has substituted for
the infinitely more merciful lash.
I asked for the doors to be opened. My polite Commandant demurred for
a moment. It was not _réglementaire_. The Cachots Noirs were never
opened except at stated intervals,—once every thirty days, for an hour’s
exercise and medical inspection,—but the wording of my credentials was
explicit, and so the doors were opened.
Out of the corner of one came something in human shape, crouching
forward, rubbing its eyes and blinking at the unaccustomed light. It had
been three and a half years in that horrible hole, about three yards
long, by one and a half broad. I gave him a feast of sunshine and outer
air by taking his place for a few minutes.
After the first two or three the minutes lengthened out into hours. I had
absolutely no sense of sight. I was as blind as though I had been born
without eyes. The blackness seemed to come down on me like some solid
thing and drive my straining eyes back into my head. It was literally
darkness that could be felt, for I felt it, and the silence was like the
silence of upper space.
When the double doors opened again the rays of light seemed to strike my
eyes like daggers. The criminal whose place I had taken had a record of
infamy which no printable words could describe, and yet I confess that I
pitied him as he went back into that living death of darkness and silence.
We went along the galleries, looking into other cells and at other
prisoners, some of whom I was surprised to find quite cheerful, but they
were new-comers, and perhaps liked the idleness and the sleep. Then we
came to a corridor cut off by a heavy iron gate. There were six ordinary
cells in this, the cells of the condemned, and it is here that the last
tragedy of the convict’s life on Ile Nou begins.
Let us suppose that, as often happens, there are four or five men lying
in these cells under sentence of death. The English murderer knows the
day and hour of his doom. These men do not. Every night they go to sleep
not knowing whether or not it is their last sleep on earth. All they know
is that they are doomed. Then the fiat goes forth that “_Un nommé D._” is
to make the final expiation of his crimes.
Public-domain text, read in full here on John Shaqi.
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