In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and homeGriffith, George Chetwynd
History
In an Unknown Prison Land: An account of convicts and colonists in New Caledonia with jottings out and home
Griffith, George Chetwynd
Crime; Criminals; New Caledonia -- Social conditions -- 19th century; Penal colonies -- New Caledonia
Then he got a pair of callipers, and measured my head in two directions,
from back to front and across, all the time calling out the fatal figures
which, in case of need, would have identified me among ten million men.
[Illustration: The Bureau of Anthropometry, Ile Nou.]
After this he descended to minor matters, ears, nose, lips, thumb- and
finger-joints, eyelids, and so on. Then he stood me on a box on which was
rudely outlined a human foot. I put my right foot on this, bent forward,
and rested my right hand on a table, using my left leg and foot to keep
my balance. When I was steady my foot was measured.
Then I rested my right arm on a table, standing on one leg the while. It
was measured from the elbow to the point of the middle finger. After this
the prints of my thumb and three fingers were taken, and duly impressed
on the _fiche_, or identification card.
Then came the most trying part of the ordeal, the general observation. I
stood to attention in the middle of the floor. The gimlet-eyed official
walked round me, and looked through and through me, what time the clerk
at the table asked questions from the schedule he was filling up.
No detail was so minute as to escape those all-searching eyes. A scar
which I had got twenty years before in a football match, though half
hidden under an eyebrow, was detected, measured, and noted. The scars
of a couple of old knife-stabs in my left hand, and the trace of a
parrot-bite on one of my fingers—nothing escaped. The colour of my hair
and moustache fell into a certain category. My eyes were examined, and
the colours of the iris duly placed in their proper category.
By this time I began to feel as though I were being taken to pieces and
examined bit by bit. It was a sort of mental and physical vivisection
without the knife and the chloroform. Finally, the gentleman at the desk
asked the question, “Intellectuality?”
“Mediocre,” replied Mr. Gimlet-eyes, with brutal frankness. Then I
laughed, and the Commandant suggested that I should be photographed.
“_Pas artistique, mais exact_,” he said, as we went into the other room.
“And, therefore,” I said, “it will resemble the remarks of your
anthropometric expert. I never had such an exact account of myself
before. Anthropometry strikes me as being a pretty good medicine for
human vanity.”
[Illustration: An Arab Type of Convict. A combination of Ideality and
Homicidal Mania.]
Out of the depth and width of his experience the Commandant agreed with
me, and then I was photographed. There was no artistic posing or anything
of that sort. I was planted on a chair with my back straightened up and
my head in a vice such as other photographers were once wont to torture
their victims with. The camera was brought within three feet of me. I was
taken full face, staring straight into the lens, and then I was taken
_en profile_. When, many weeks afterwards, I showed the result to my
wife, she was sorry I ever went; but for all that it’s a good likeness.
Public-domain text, read in full here on John Shaqi.
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