In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' MagazineDoran, Dr. (John)
History
In and About Drury Lane, and Other Papers, Vol. 2 (of 2): Reprinted from the pages of the 'Temple Bar' Magazine
Doran, Dr. (John)
London (England) -- Social life and customs -- 19th century; Theater -- England -- London -- Anecdotes
whose marvellously-decorated fans--on which figured landscapes created
to make love in--the beauties of the time of Anne and the first two
Georges used to feign to blush and hide confusion which they did not
feel.
When these and others were assembled in the old bank, they numbered
sixty-two. Every man came with his guinea ready for the treasurer. It
was to be the annual subscription. Each member had also with him a list
of twelve names, whom he voted for as directors for one year. Michael
Dahl insinuated his right to be governor, but, saving Dahl’s vote,
Kneller was unanimously elected; and with his quietly moving into the
chair of that club, was the first Academy of Painting established in
England.
The jealousy of Dahl, and a few individual affectations, marred some
of the good that the Academy might have accomplished. In the second
year, the Swedish favourite of Queen Anne and her husband, Prince
George of Denmark, withdrew, because Kneller was still preferred to him
as governor or president. The Academy Club elected new members, with
or without their consent. At that time there was a French painter in
London, named Berchet. He had painted panels and ceilings in England
from the time of the latter years of Charles II.; and when De la Fosse
was over here, he must have been proud, if he was not jealous, of his
pupil. If there be an old painted panel yet in the house that was the
Duke of Schomberg’s, in Pall Mall, it is possibly a portion of the
decoration of the house, and is, in such case, Berchet’s work. The
belles and gallants of the day flocked to Ranelagh, to gaze at the
summer-house so daintily tricked out by Berchet’s delicate pencil.
_Now_, he was painting small mythological pieces, in oils; and the
‘Academicians,’ deeming him worthy of being a member, elected him.
Berchet (by letter) ‘excused himself, being not well and tysicky, and
could not bear the smoke of the lamp.’ His infirmity did not leave him,
neither did his industry. He had just put his name at the foot of ‘A
Bacchanalian,’ his last work, when the pencil dropped for ever from his
hand, and Berchet’s occupation was gone.
Public-domain text, read in full here on John Shaqi.
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