In Beaver Cove and ElsewhereCrim, Matt (Martha Jane)
General
In Beaver Cove and Elsewhere
Crim, Matt (Martha Jane)
Georgia -- Fiction; Short stories, American
Roger Everett was one of the first New England men to find his way to
Marietta, and to invest in the Pickens County Marble Works. He belonged
to _the_ Everetts of Massachusetts, a family of strong abolitionists,
and possessed his share of the traditional New England reserve and the
deeply rooted New England pride. For a year or two he devoted himself
almost exclusively to business, making only occasional visits to
Marietta; but his circle of acquaintances widened, and, being young and
handsome and cultivated, he was at last drawn into the social life of
the town, and few parties or picnics were complete without him. He and
Madeline met at one of the picnics, danced together once at one of the
parties, but their acquaintance really began the day a large party went
up the new railroad to the marble works. It fell to Everett to play the
part of cicerone, and though Madeline shrieked less and asked fewer
questions than the other girls, there was an intelligent comprehension
in her eyes when he explained the process of getting out the marble from
the quarries, and the machinery used for cutting it into blocks, that
made him feel that he was talking directly to her. They lunched on the
bank of Long Swamp Creek, with the purple shadows of the mountains
falling over them, and mountain laurel in bloom all about them. Then
Madeline and the young Northerner strolled away down the stream to look
for maidenhair ferns. They talked at first on general topics, and then
the girl asked some questions about the North, drawing in her breath
with little quivering sighs as he told her of frozen rivers, of snows so
deep one could scarcely walk through them, of sleighing and skating.
"And—and is it true what they say about the negroes?" she questioned
hesitatingly, curious to hear with her own ears the opinion of one of
these rabid abolitionists—at least she had read in the papers that they
were rabid.
He smiled, broke off a bit of laurel, pink and fragrant, and offered it
to her.
"What do they say, Miss Capelle?"
"That they are equal—that we should recognize them. Oh, I hardly know
how to explain it," breaking off with a little laugh, not caring to
tread too boldly on delicate ground for fear he should feel wounded.
"We respect them where they deserve it, just as we do all men," he said
calmly.
"Regardless of color?"
"Yes. What has the color of a man’s skin to do with the question of his
worth?"
"Everything, if he is a negro. Could you—I beg your pardon for asking
the question—sit at the table with a _negro?_ actually break bread with
him as your equal?"
"If he were a gentleman, yes," firmly, his blue eyes meeting hers
fearlessly.
"Oh, oh! how could you? I cannot understand it. I am fond of some
negroes. I loved Uncle Sam, I like Aunt Dilsey, and I’m sorry for them
as a race, but meet them on common ground I could not." And then they
drifted away from the dangerous topic.
Public-domain text, read in full here on John Shaqi.
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