In Darkest Africa, Vol. 2; or, The Quest, Rescue, and Retreat of Emin, Governor of EquatoriaStanley, Henry M. (Henry Morton)
History
In Darkest Africa, Vol. 2; or, The Quest, Rescue, and Retreat of Emin, Governor of Equatoria
Stanley, Henry M. (Henry Morton)
Africa, Central -- Description and travel; Emin Pasha, 1840-1892
These widely-spreading trees are favourites with the black wasps, to
which they attach their pensile nests. Externally the nests are like
fancifully cut brown-paper sacks, or a series of such sacks arranged one
above another, with frills and ornate cuttings, like the fancy paper
grate-covers in English parlours in summer time.
We avoided such trees religiously, and when there was no such terror as
a big nest of wasps near, we could rest in comfort and examine the
forest at leisure. We first saw besides countless grey columns,
thousands of pendent slender threads and wavy lines, loops, festoons,
clustered groups and broad breadths of grey mingled with more than
studied disorder with darkest depths of green, lightened only by broad
damp leaves reflecting stray glints of sunshine or sprays, and a magic
dust of softened light perpetually shifting and playing, profound spaces
of darkness relieved by a breadth of grey tree trunk, silvered rods of
parasites, or fancy grey filigree of vine stems. As we surveyed the
whole, the eye caught various crimson dots of phrynia berries, or red
knots of amoma fruit, outer fringes of auburn leaves, a cap of a
mushroom staring white out of a loose sheaf of delicate ferns, or snowy
bits of hard fungi clinging like barnacles to a deeply-wrinkled log; the
bright green of orchid leaves, the grey green face of a pendent leaf of
an elephant-eared plant--films of moss, tumorous lumps on trees exuding
tears of gum, which swarmed with ants, length after length of whiplike
calamus--squirming and twisting lianes, and great serpent-like
convolvuli, winding in and out by mazy galleries of dark shadows, and
emerging triumphant far above to lean their weight on branches, running
coils at one place, forming loops at another place, and then stretching
loosely their interminable lengths out of sight.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account