There sat the paralysed, blind man in a large roller-chair. The unfortunate man was still young, barely over thirty, very heavily built, and heavy both in face and in speech. His very "Come in!" when Kallem knocked, was heavy. Kallem introduced himself, the other sat immovable and answered slowly: "Indeed, I am blind. And I can't move about much either." This was said with a Norland accent; each syllable jerked out and jogging heavily along like a London brewer's dray-horse. It was a clever, but full, large-featured face; he came probably of a healthy race. Kallem was sufficiently a doctor to be able to see at once why he was paralysed and blind. A quantity of engravings and photographs from Spain, hanging on the walls, gave him the idea that it was probably _there_ he had received as a gift what that most gallant people distribute with such hospitality. "Won't you sit down?" he said, at last. His healthy side brisked up as he turned and looked toward a door to the left: "Ragni!" he called. Nobody answered and nobody came. His voice, as well as his seeming indifference and stolid quiet, seemed to make the silence duller. Kallem sat there and looked about him. Were those children's toys? It seemed to him surely he heard children's voices? Were there children _here?_ "Ragni!" repeated he once more, slowly. Then, more gently: "Perhaps they are in the kitchen busy with the dinner." Again the same dull, heavy silence; the sound of bells from the street broke through it for a moment, but only to make it all the more evident afterward. The furniture was too heavy and dark for a small Norwegian room in winter; and it was faded and worn. The engravings and photographs were in large frames, which, however, did not fit very well, so that both dust and damp had got in and spoilt the paper. The children's toys and a piano were the most noticeable things; the piano seemed to be perfectly new and by one of the best Parisian makers, it was certainly a concert-grand. "Your wife plays so beautifully?" "Yes." Kallem knew that she had devoted herself to the study of music since she was a child, and just to find something to talk about he took up the subject. "She has studied at the conservatoire in Berlin?" "Yes." There was a noise of chairs being pushed about in the room to the right, the one adjoining the corner room. Kallem then took that up as a subject for conversation. "I hear I am to have a neighbor in the corner room?" "Yes." "A relation of yours, I believe?" "Yes, an aunt." Again Sören Kule looked to the left, and called out in an indifferent sort of way: "Ragni!" Nobody answered and nobody came. "I fancied I heard a door open outside," he said, as though apologizing for having called. Kallem got up then and said good-by.