They conversed a little on indifferent subjects; no mention was made of
Josephine. Shortly after Ole went in to find his aunt, whom he had come
to call upon. As it happened Kallem was at home that forenoon and he
heard the landlord's wife play. She began with scales and scales and
still more scales; but then came a piece so wonderfully well executed
that he set his door ajar so as to hear better. Her playing was more
like singing. How in all the world could a woman young like she, and
full of artistic and lyric feeling, marry such a mass of corruption?
Here was a problem which he would have had Rendalen solve, but Rendalen
knew nothing. However, he was in good spirits that day, spoke in
raptures about her playing; there was not so much power in it but it
was full of song, and a poetical charm of coloring which was
unequalled. He could play a Russian piece of her's, "after a fashion"
he added; he played it perfectly. Kallem wanted to know something about
her appearance.
"She looks--stupid!" cried he. "God forgive me for saying it--stupid!
Her forehead might possibly save her, but she hides it entirely with
her hair. I said so to her; 'Up with your hair,' said I. Her eyes, too,
might save her. But never in my life have I seen anyone so shy about
her eyes."
"Has she good eyes?"
"Good heavens, her eyes are of the many-voiced kind! Some eyes sing as
it were in unison or at the most for two voices; but some there are
that send forth chords of bright harmony. If she looks up when she is
playing you will feel it! But generally her eyes are on a level with
the feet of the table, or piercing holes in the corners, or setting the
stove alight. Sometimes, though, they dash up high along the walls like
a rat that cannot escape!" He was amused at his own description and
began to play a Halling.[2] "Wonderful that such a musical nature
can--come, we must not be sentimental, old fellow!" He intended going
to the theatre and took Kallem with him.
Public-domain text, read in full here on John Shaqi.
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