Belfort, who was a fine actor, so Marcel told me, was to have the hero's
part, and he was to make love to Miss Desmond.
"But I promise you it's all in the play, Bob," said Phil, looking at me
from under his eyebrows.
I was not so sure of that, but this additional news increased my
distaste for the play, and I would have changed my mind and stayed away
if Marcel had not assured me that it could not be done.
"You are to go with us behind the scenes, Bob," he said. "We have
already arranged for that. Moore is one of the managers, and he has made
me his assistant. Behold, how invaluable I have become to the British
army in the few days that we have been in Philadelphia! We may need your
help, too. You are to be held in reserve, and Moore will never forgive
you if you do not come."
I was a little surprised at his eagerness on the point, but at the
appointed time I went with him to the theatre. It had never lacked for
attendance when the plays were given in the course of the winter, and
to-night, as usual, it was crowded with British and Hessian officers,
and Philadelphia Tories with their wives and daughters. I peeped at the
audience from my place behind the curtain, and it had been a longtime
since I had seen so much white powder and rose-pink and silk ribbon and
golden epaulet.
I do not remember much about the play or even its name, only that it had
in it a large proportion of love-making, and fighting with swords, all
after the approved fashion. I might have taken more careful note, had
not Reginald Belfort and Mary Desmond filled the principal parts, and my
eyes and ears were for them in particular rather than for the play in
general. There was a great chorus of "Bravos," and a mighty clapping of
hands when she appeared upon the stage as the oppressed and distressed
daughter of a mediæval English Lord whom the brave knight, Lieutenant
Reginald Belfort, was to win, sword in hand, and to whom he was to make
the most ardent love. Belfort did his part well. I give him full credit
for that. He did not miss a sigh or vow of passion, and his voice, his
looks, his gestures were so true, so earnest, that the audience
thundered its applause.
"Doesn't he play it splendidly?" said Marcel, in an ecstasy to me.
"Yes, damn him!" I growled.
And she! she merely walked through the part for a long time, but she
gradually caught the spirit of the lines--perhaps in spite of herself, I
hoped--and became the persecuted and distressed maiden that the play
would have her. Then her acting was real and sincere, and, with her
wondrous beauty to aid her, the audience gave her an applause even
exceeding that they had yielded to Belfort.
"It's a dazzling success!" said Marcel to me, with continued enthusiasm
at the end of the second act.
I was bound to own that it was.
"But the best scene is to come yet," said Marcel, as he hurried away.
"It will close the play."
Public-domain text, read in full here on John Shaqi.
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