Dickens, Charles, 1812-1870 -- Knowledge -- Prisons; Prisons; Prisons -- England -- London; Prisons in literature
"The stoppage of the bell, and the quiet in the prison, were a warning
to depart. But he had remained too late. The inner gate was locked and
the lodge closed. This brought them to the tavern establishment at the
upper end of the prison, where the collegians had just vacated their
social evening club. The apartment on the ground floor in which it was
held was the Snuggery: the presidential tribune of the chairman, the
pewter pots, glasses, pipes, tobacco ashes and general flavor of
members were still as that convivial institution had left them on its
adjournment. The Snuggery had two of the qualities popularly held to
be essential for grog for ladies, in respect that it was hot and
strong; but in the third point of analogy, requiring plenty of it, the
Snuggery was defective; being but a cooped-up apartment.
"The unaccustomed visitor from the outside naturally assumed everybody
to be prisoners--landlord, waiter, barmaid, potboy and all. Whether
they were or not did not appear; but they all had a weedy look. The
keeper of the chandler's shop in the front parlor, who took in
gentlemen boarders, lent his assistance in making the bed. He had been
a tailor in his time, and had kept a phaeton, he said. It was evident,
from the general tone of the whole party, that they had come to regard
insolvency as the normal state of mankind, and the payment of debts a
disease that occasionally broke out. In this strange scene, and with
these strange spectres flitting about him, Arthur Clennam looked on
the preparations as if they were a part of a dream. Pending the while
the long initiated Tip, with an awful enjoyment of the Snuggery's
resources, pointed out the common kitchen fire maintained by
subscription of the collegians, the boiler for hot water, supported in
the same manner, and other premises generally tending to the deduction
that the way to be healthy, wealthy and wise was to come to the
Marshalsea.
Public-domain text, read in full here on John Shaqi.
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