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Yet women who look back to this period with so much fondness and
regret forget their little tremors and misgivings--the self-distrust,
the hopes and fears, the doubts and perplexities, which troubled this
time. For although it is acknowledged, and has been taught by all
philosophers from King Lemuel and Lao-Kiun downward, that no greater
prize can be gained by any man than the love of a good woman, which is
better than a Peerage--better than a Bonanza mine--better than Name
and Fame, Kudos and the newspaper paragraph, and is arrived at by much
less exertion, being indeed the special gift of the gods to those
they love; yet all women perfectly understand the other side to this
great truth--namely, that no greater happiness can fall to any woman
than the love of a good man. So that, in all the multitudinous and
delightful courtships which go on around us, and in our midst, there
is, on both sides, both with man and with maid, among those who truly
reach to the right understanding of what this great thing may mean, a
continual distrust of self, with humility and anxiety. And when, as
sometimes happens, a girl has been brought up in entire ignorance of
love, so that the thought of it has never entered her head, the thing
itself, when it falls upon her, is overwhelming, and infolds her as
with a garment from head to foot, and, except to her lover, she
becomes as a sealed fountain. I know not how long this season of
expectation would have lasted for Iris, but for Arnold's conversation
with his cousin, which persuaded him to speak and bring matters to a
final issue. To this girl, living as secluded as if she was in an
Oriental harem, who had never thought of love as a thing possible for
herself, the consciousness that Arnold loved her was bewildering and
astonishing, and she waited, knowing that sooner or later something
would be said, but trembling for fear that it should be said.
After all, it was Lala Roy, and not Clara, who finally determined
Arnold to wait no longer.
He came every day to the studio with Iris when she sat for her
portrait. This was in the afternoon. But he now got into the habit of
coming in the morning, and would sit in silence looking on. He came
partly because he liked the young man, and partly because the
painter's art was new to him, and it amused him to watch a man giving
his whole time and intellect to the copying or faces and things on
canvas. Also, he was well aware by this time that it was not to see
Mr. Emblem or himself that Arnold spent every evening at the house,
and he was amused to watch the progress of an English courtship. In
India, we know, they manage matters differently, and so as to give the
bridegroom no more trouble than is necessary. This young man, however,
took, he observed, the most wonderful pains and the most extraordinary
trouble to please.
Public-domain text, read in full here on John Shaqi.
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