In old Narragansett; romances and realitiesEarle, Alice Morse
History
In old Narragansett; romances and realities
Earle, Alice Morse
Narragansett Bay Region (R.I.) -- History -- Fiction; Short stories, American
Elam stood slowly rubbing his claw-foot and at last answered: “I
know some old blue-and-white crockery preserve-jars, or jell-pots,
ye might call ’em, which I ruther think ye could get ef ye want ’em.
Ye see, Abiel Hartshorn, he’s a widower an’ he’s a-goin’ ter marry a
school-marm up ter Collation Corners, an’ she’s got awful highty-tighty
notions, an’ he’s a-goin’ ter sell the farm, an’ she come down ter see
what things she wanted saved out of the house fur her. An’ Abiel’s
fust wife she had all these old blue-an’-white pots with letters on
’em, an’ some had long spouts, an’ she always kep’ her preserves an’
jelly an’ sweet pickles in ’em, an’ mighty handy they was too. An’
when this woman see ’em she was real pleased with ’em, but her brother
was along with her, and he’s a clerk in a drug-store, an’ he bust out
a-larfin’, an’ says he: ‘Them letters on them jell-pots means senna,
an’ jalap, an’ calomel, an’ sweet syrup of buckthorn, an’ lixypro, an’
lixylutis, an’ all sorts of bad-tastin’ medicines.’ An’ then she fired
right up, an’ says she: ‘I won’t have any of my preserves kep’ in them
horrid-tastin’ old medicine-bottles;’ so I guess Abiel would be glad
enough ter sell ’em fur most anything.”
We suspected at once that these “jell-pots” with blue lettering of the
names of drugs were Delft apothecary jars, and that the “ones with
spouts” were the old jars, so rarely seen, that are identical in shape
with the “siroop-pots” of Dutch museums. When the Dutch used these jars
a century or more ago, they covered the open top with tightly tied
oilskin and poured the contents from the spout, which at other times
was kept carefully corked. By what strange, roundabout journey had
these Delft jars strayed to that New England farm? We asked eagerly
where we could see the despised “jell-pots.”
“Abiel’s house is about two mile from here by the road. I tell ye what
ye can do. Ye may as well see ’em now’s ever. I’ll walk cross-lots an’
you drive there. Go on down the road a piece an’ turn the fust road ter
the right. ’Tain’t much of a road--it’s kind of a lane. Go on to the
fust house ye come to. I’d better come, ’cause mebbe Abiel wouldn’t
let ye see ’em ef ye went alone.”
We left him and drove on and down through the narrow, grass-grown lane.
When we reached the old gray farm-house we found it deserted and still,
so we sat down on the stone doorstep and waited for Elam Chadsey, and
soon he climbed over the stone wall before us.
“Ain’t Abiel at hum? All the better! We’ll go in ’n’ see the
preserve-jars, an’ then he won’t know any city folks want ’em an’ won’t
put the price up on ye.”
He prowled around the house, trying in vain to open first the doors and
then the windows, but to his amazement he found all carefully locked.
Public-domain text, read in full here on John Shaqi.
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