"Tell me frankly, dear friend," Angelica began at last, "that I have once more undertaken something that deserves the palm for no other reason than for its audacity. If you only knew what contemptuous epithets I have heaped upon myself while I was painting! I have made myself out so bad, have so run myself down, that Homo would not take a piece of bread from me if he had heard me. And yet, in the midst of my dejection, I still took such unheard-of pleasure in my daubery that, do what I would, I could not let my courage sink. If my friend were not present, I should be able to explain to you the reason for this. As it is, it would seem in very bad taste if I should forthwith make her a declaration of love in the presence of witnesses." The sculptor still remained silent. At last he said, dryly, "You may set your mind at rest, Angelica. Don't you know very well that this is not only your best picture, but, moreover, a most excellent performance, such as one only too seldom meets with nowadays?" A deep blush of joyful embarrassment suffused the good-natured, round face of the painter. "Is that your candid opinion?" cried she. "Oh, my dear Jansen! if it only is not meant as a salve for the goadings of my own conscience--" Jansen did not answer. He was once more deeply absorbed in the contemplation of the picture. Now and then he cast a critical glance at the original, who stood quietly by and appeared to be thinking of other things. In the mean while Edward labored zealously to efface the bad opinion that Angelica had formed of his love for critical mockery. He praised the work highly in detail--the drawing, the arrangement, the successful coloring, and the simple light effects, and what he found to criticise in the details of the technique only served to heighten the worth of his commendation as a whole. "But, do you know," he said, enthusiastically, "this is only one way to do it, a very skillful and talented way, but by no means the only one. What do you say, for instance, to dark-red velvet, a light golden chain around the neck, a dark carnation in the hair--_à la Paris Bordone_? or a gold brocade--I happen to have a magnificent genuine costume at home, that was sent to me last week from Venice? or shall we have simply the hair disheveled, a dark dress, behind it a laurel-bush--" "And so on, with graces _in infinitum_!" laughed the painter. "You must know, Julie, this gentleman has already painted thousands of the most magnificent pictures--unfortunately nearly all in imagination. No, my dear Rossel, we are obliged to you. We are only too glad to have accomplished it in this very modest way, and to have received so favorable a criticism. My dear friend, although she is an angel of patience, has had quite enough to do with the fine arts for some time to come."