Mrs. Christmas had just received an East London local paper, in which some youthful poet had poured forth his rhapsodies over Annie Brunel and her ’Juliet.’ There was nothing remarkable in the verses, except that the author hoped to meet Miss Brunel in heaven. This was natural enough. The almost inevitable climax of a commonplace poem is heaven, simply because heaven is the only idealism of commonplace minds. It is almost a matter of necessity, therefore, that hymns should end with "above," or "Eden," or "Paradise;" and that magazine poets should lay down their pen with a sigh of relief when they have left their readers somewhere among the fixed stars. "It is kind of him to suppose that an actress may get to heaven at all," said Annie Brunel, when Mrs. Christmas had read the verses. Once or twice before Will had remarked this tendency towards bitterness of feeling in the young girl’s contemplation of the non-professional world. He could not divine its cause. He was vexed to see it; and now he said, boldly: "You ought not to speak like that, Miss Brunel. You wrong both yourself and those of whom you speak. You really have imbibed—I don’t know how—a singular prejudice against people out of your own profession." "Don’t they refuse in France to bury actors in consecrated ground?" "If they did, the freaks of a clergy should never be blamed upon the people of any country. I suppose the priests, through the use of the confessional, were so dismayed about the prospects of their charge in the next world, that they thought this distinction the only piece of worldly consolation they could give them. But indeed, Miss Brunel, you must abandon that touch of Bohemianism which you unconsciously allow to escape you sometimes, and which is unfair to——" "I won’t have you argue for these people," she said, with a smile. "I was glad you came here this morning, for I want to win you over to us. Didn’t I say, Lady Jane, when I first met him, that he was so unlike the other—what shall I call them?—outsiders? Well, perhaps it is foolish of me to talk about these people, for I know nothing whatever of them; but I have been educated to consider them as so much raw material to be deluded and impressed by stage effect, and I shall never be able to regard them as anything else than strangers. Haven’t you seen the little girl in pink cotton and spangles who stands by while her father is performing tricks before a lot of village people? Haven’t you seen her watch all the faces round, calculating the effect of the performance, and wondering how much it will produce in halfpence? No, you needn’t laugh: that is precisely my attitude and feeling towards the public." "You may tell that to one who has never seen you on the stage," said Will. "I _know_ that you have no more thought of calculating the effect of what you are doing than the music of a violin has."