In Sunny Spain with Pilarica and RafaelBates, Katharine Lee
General
In Sunny Spain with Pilarica and Rafael
Bates, Katharine Lee
Children -- Spain -- Juvenile literature
But Tia Marta dropped scalding tears of vexation into her bowl of
_puchero_, though that delectable mixture of boiled meat, chickpeas and
all manner of garden stuff, was already quite hot enough with red pepper
and garlic.
Uncle Manuel, having seen to it that the food was prompt and plentiful,
did not speak to any of them as they ate, but busied himself with adding
up columns of figures in a much-worn account book that he drew from an
inner pocket. When they had finished, however, he took from the inn
keeper’s hand a little iron lamp, shaped like a boat, and helped
Grandfather up the ladder that led to the loft. There he conducted them
to two small rooms, roughly boarded off, with a low partition between
them. Hanging the lamp by its ring from a nail, he opened the beds to
make sure that the coarse sheets were fresh, and left them with a grave
“Sleep in peace.”
The mattresses were stuffed with cornhusks of an especially lumpy sort,
and that, perhaps, as well as the spell of Cordova, had something to do
with the fact that they all slept restlessly, dreaming homesick dreams.
Tia Marta heard the hawks wheel and whistle above the Giralda, and their
faces were like the face of Pedrillo. Pilarica, nestling beside her,
moved her little white feet, dancing for Big Brother, who held one hand
hidden as if to surprise her with a gift when the dance was done. And
beyond the partition Grandfather murmured the pet name of his twin
sister who had died in childhood, more than threescore years ago, while
Rafael’s red lips curved in a happy smile, for he stood with his father
in the roaring heart of a swift battle-ship, which changed in an instant
to a beautiful stillness, and they stood in the heart of God.
XIV
TRAVELING BY MULE-TRAIN
The boy was wakened by Grandfather’s voice. The only man, lying on his
back, was conversing with a spider whose long cobweb floated from a
rafter.
“‘Weaver, why do you weave so high?’
‘I take my pattern from clouds in the sky.’”
“And it _is_ cloudy,” announced Rafael, who had jumped up and thrust his
head through an opening, that could hardly be called a window, in the
wall. “How did you know, Grandfather?”
“Oh, I can feel the sky without seeing it, and this morning it is
“A patchwork counterpane in which
Not a hand has set a stitch.”
“So it is,” assented Rafael. “I believe we are going to have a rainy
day.”
Public-domain text, read in full here on John Shaqi.
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