In the Courts of Memory, 1858-1875; from Contemporary LettersHegermann-Lindencrone, L. de (Lillie de)
History
In the Courts of Memory, 1858-1875; from Contemporary Letters
Hegermann-Lindencrone, L. de (Lillie de)
France -- Court and courtiers; France -- Social life and customs -- 19th century
We could not hear the singing so well from where we sat; but the orchestra
was overpowering, and the applause deafening, like peals of thunder.
I laughed when the gang of workmen rushed on to the stage as soon as the
curtain came down, and began sweeping and taking down one set of furniture
and putting on another; especially in the last act, when Violetta's bed
came on and the men threw the pillows from one to the other, as if they
were playing ball. They hung up a crucifix, which I thought was
unnecessary, and brought in a candlestick. I wondered if they were going
to put a warming-pan in the bed. A mat was laid down with great precision.
Then Nilsson came in, dressed in a flounced petticoat trimmed with lace, a
"matinée," and black slippers, and got into the bed.
After the performance was over the curtain was raised and the artists came
forward to bow; the stage was covered with flowers and wreaths. And
Nilsson, in picking up her floral tributes, was wreathed in smiles; but
they faded like mist before the sun the minute the curtain was lowered,
and she looked tired and worn out. Her maid was there, waiting with a
shawl to wrap around the shoulders of the hot prima-donna, and the prim
Miss Richardson ready to escort her to her room, while the army of shirt-
sleeved men invaded the stage like bees, with brooms which, though
anything but new, I hope swept clean. Then everything was dark and dismal,
lit only by one or two candles and a solitary lantern. All that was so
brilliant a moment before was now only a confused mass of disillusions.
Nilsson and her duenna drove to Mrs. H----'s and had supper with us. One
would never have dreamt that she had been dying of consumption an hour
before, to see her stow away ham, salad, and pudding in great quantities.
Then she embraced us all and drove off in her coupé. The star was going to
set. I went home, glad that my life lay in other paths.
PARIS, _March, 1865._
DEAR M.,--Do not be anxious about me. When Mrs. M---- wrote, I was really
in danger of a _fluxion de poitrine_. I am sorry she worried you
unnecessarily. I am much better; in fact, I am far on the road to
recovery. If every one had such a nice time when they are ill as I had
they would not be in a hurry to get well. When I was convalescent enough
to come down-stairs, and the doctor had said his last word (the
traditional "you must be careful"), I had my _chaise-longue_ moved down
into Henry's studio, and Monsieur Gudin, who is the kindest man in the
world, offered to come there and paint a picture in order to amuse and
divert me.
Bierstadt, the American painter, who is in Paris, also proposed to come.
Then those two artists ordered canvases of the same size, and Beaumont,
not to be outdone, ordered a larger canvas, and Henry announced his
intention of finishing an already commenced landscape.
Public-domain text, read in full here on John Shaqi.
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