In the Days of the CometWells, H. G. (Herbert George)
Science
In the Days of the Comet
Wells, H. G. (Herbert George)
Comets -- Collisions with Earth -- Fiction; Political fiction; Science fiction; Utopian fiction; Utopias -- Fiction
“There, there,” said I, and all my being was a-tremble. “Where has she
gone?” I said as softly as I could.
But for the time she was preoccupied with her own sorrow, and I had to
hold her there, and comfort her with the blackness of finality
spreading over my soul.
“Where has she gone?” I asked for the fourth time.
“I don’t know—we don’t know. And oh, Willie, she went out yesterday
morning! I said to her, ‘Nettie,’ I said to her, ‘you’re mighty fine
for a morning call.’ ‘Fine clo’s for a fine day,’ she said, and that
was her last words to me!—Willie!—the child I suckled at my breast!”
“Yes, yes. But where has she gone?” I said.
She went on with sobs, and now telling her story with a sort of
fragmentary hurry: “She went out bright and shining, out of this house
for ever. She was smiling, Willie—as if she was glad to be going.
(“Glad to be going,” I echoed with soundless lips.) ‘You’re mighty fine
for the morning,’ I says; ‘mighty fine.’ ‘Let the girl be pretty,’ says
her father, ‘while she’s young!’ And somewhere she’d got a parcel of
her things hidden to pick up, and she was going off—out of this house
for ever!”
She became quiet.
“Let the girl be pretty,” she repeated; “let the girl be pretty while
she’s young. . . . Oh! how can we go on _living_, Willie? He doesn’t
show it, but he’s like a stricken beast. He’s wounded to the heart. She
was always his favorite. He never seemed to care for Puss like he did
for her. And she’s wounded him—”
“Where has she gone?” I reverted at last to that.
“We don’t know. She leaves her own blood, she trusts herself— Oh,
Willie, it’ll kill me! I wish she and me together were lying in our
graves.”
“But”—I moistened my lips and spoke slowly—“she may have gone to
marry.”
“If that was so! I’ve prayed to God it might be so, Willie. I’ve prayed
that he’d take pity on her—him, I mean, she’s with.”
I jerked out: “Who’s that?”
“In her letter, she said he was a gentleman. She did say he was a
gentleman.”
“In her letter. Has she written? Can I see her letter?”
“Her father took it.”
“But if she writes— When did she write?”
“It came this morning.”
“But where did it come from? You can tell—”
“She didn’t say. She said she was happy. She said love took one like a
storm—”
“Curse that! Where is her letter? Let me see it. And as for this
gentleman—”
She stared at me.
“You know who it is.”
“Willie!” she protested.
“You know who it is, whether she said or not?” Her eyes made a mute
unconfident denial.
“Young Verrall?”
She made no answer. “All I could do for you, Willie,” she began
presently.
“Was it young Verrall?” I insisted.
For a second, perhaps, we faced one another in stark understanding. . .
. Then she plumped back to the chest of drawers, and her wet
pocket-handkerchief, and I knew she sought refuge from my relentless
eyes.
My pity for her vanished. She knew it was her mistress’s son as well as
I! And for some time she had known, she had felt.
Public-domain text, read in full here on John Shaqi.
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