He compared his sensations to those of Leigh Hunt on being released from
prison. Indeed, the change proved to be too sudden and too great for his
happiness, and he yearned for the “pestilential clerk-faces” which had
so long bored him: so one day, soon after, he went back to the office,
and sat amid “the old desk companions, with whom I have had such merry
hours,” and tried to feel really sorry that he had left them in the
lurch! He has told us of all his feelings, good and bad, at this period,
in “The Superannuated Man.” He could not quite thoroughly enjoy his
freedom, and was put to all sorts of devices to waste his cherished
time! He re-hung his Titians, his Da Vincis, his Hogarths, and his other
beloved prints. He marshalled his Chelsea China shepherds and
shepherdesses in groups and singly all about the rooms. He rearranged
the ragged veterans of his library; not longing overmuch for the good
leather that would comfortably clothe his shivering folios. Few of them
were lettered on the back, and his reply to a silly somebody, who asked
how he knew them, was: “How does a shepherd know his sheep?” It was his
fantastic humour that, the better a book is the less it demands from
binding!
Out of doors, he planted and pruned and grafted; and got into a row with
an irascible old lady who owned the next garden. He sat under his own
vine and contemplated the growth of vegetable nature. He explored his
new neighbourhood, hunted up ancient hostelries, and made comparisons of
their sundry and divers taps. He prowled about Bartholomew Fair,
drinking in delight of its penny puppet-shows, and its other “celebrated
follies,” as they had been contumeliously called by sedate John Evelyn,
a visitor there nearly two centuries earlier. He took long walks into
the country, with Tom Hood’s erratic dog, Dash, who imposed outrageously
on Lamb’s good-nature; and went on excursions with Mary, farther
afield--notably to Enfield, where they made short stays with a Mrs.
Leishman, into whose house they finally removed in 1827.
“I am settled for life, I hope, at Enfield. I have taken the prettiest
compacted house I ever saw,” he wrote. _No_ health in Islington, was his
complaint to Tom Hood; and yet, “‘twas with some pains that we were
evulsed from Colebrook. You may find some of our flesh sticking to the
door-posts. To change habitations is to die to them, and in my time I
have died seven deaths.” He hoped for benefit to Mary from the quiet,
and to himself from the change, and yet he looked forward to casual
trips to town, mainly “to breathe the _fresher_ air of the metropolis.”
Public-domain text, read in full here on John Shaqi.
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