Country homes -- England -- Fiction; Detective and mystery stories; Police -- England -- Fiction
For many minutes after making this discovery Evelyn remained staring
at the ominous mark: then she turned and went straight to her room;
she felt appalled, terrified at the abysses of human nature into which
she had unwittingly forced her way. Once again she wished with all her
heart that she had never been curious enough to try and penetrate the
mystery; she had been drawn on from one darkness to another, and yet
she had not been able to leave it alone. Nor could she now; she was
impelled against her desire to turn conviction into undeniable
certainty. Remembering that the first thing Humblethorne had done on
coming on the footmarks outside the drawing-room window had been to
secure the measurements, she took a pair of scissors and a piece of
drawer-paper and, returning to the mark below the statuette, carefully
cut out a pattern. Then she went back to her room. What her purpose
was she hardly knew; she did not know what she would do when she had
established conviction on an unbreakable chain of reason, but while
any possibility of error remained her bitterness of spirit gave her no
rest. She looked at the cutting in her hand and shivered at the
significance which so simple a thing contained. Then she wondered if
she dared go immediately to compare it with its original; but she did
not know for certain that Philip was still in the study, and she saw
no way of finding out without revealing the horror in her soul. She
stood turning the pattern over and over purposelessly; then she thrust
it into a drawer as if it burnt her; she would go and get a measuring
tape, anything to feed her craving for action. With this intention she
went into the room she shared with Celia and was rummaging in a
work-basket when her friend came in.
“Why, Evelyn,” said Celia, “I didn’t know where you were: you have
neglected me this morning!”
“Have I, dear?” replied Evelyn in so vague a tone that it was obvious
that the remark had not penetrated in the least.
“What’s the matter? Aren’t you feeling any better?” asked Celia with
sympathetic surprise: she was not used to such replies.
“What’s that? Better? Oh, I’m all right,” said Evelyn, trying to force
her thoughts away and speak naturally. She put the work-basket down,
closed it and then looked across at Celia.
“And how are you this morning?” she added. “You seem a little more
rested, but why that worried look?”
“Oh, Evie, it’s about—well, what we spoke of yesterday,” responded
Celia, half eagerly from desire to share and half fearfully from
memory of their difference of view. “About, well, John, you know.” Her
voice in saying the name quivered and stumbled.
“Yes?” asked Evelyn with a quick glance.
Public-domain text, read in full here on John Shaqi.
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