Country homes -- England -- Fiction; Detective and mystery stories; Police -- England -- Fiction
But the criminal remained in all his blackness, and her heart knew no
pity there: she stooped and, fighting down a sense of nausea, took up
the pair of evening shoes on which Humblethorne had pounced with
avidity on his entrance the day before. Their smooth, undarkened soles
came as a sudden shock to her; she had been so certain that she would
have no need to look further. Then the same thought occurred to her as
previously to Humblethorne—these were worn and left conspicuously
about just because he had a second pair. She understood completely now
what Humblethorne had meant. But she had something which would be
decisive even without the discovery of that pair: with a trembling
hand she took up her paper pattern and laid it on the left shoe of the
two in her hand. It was several sizes too large!
To say that she was taken aback would be hopelessly to understate the
turmoil in her brain; she stared at the misfit, so incomprehensible,
so utterly unexpected, as if she were seeing a ghost. Her breath went
and came; her colour left her; it was against all reason, past all
understanding. It could not be true.
Then after a few moments of absolute blank disbelief, when it was
obvious that unless she had taken leave of her senses she could not by
any alteration of the placing of the pattern make it coincide with the
shoe, her mind began to work feverishly again. She could not be
entirely wrong, it was the shoe which was wrong, it must be. She knew
that at any rate this was not the shoe which had left the stain;
perhaps the subtle mind of the man she was tracking had foreseen this,
and had deliberately left these small shoes about to be found by any
one who came so far along the path of his crime. She snatched up one
after the other the left feet of the three other pairs of shoes and
boots in the room: the result was identically the same.
“I’m going out of my mind,” she thought; “there’s something wrong
somewhere!” It could not now be the shoe; it was absurd to suppose
that all the footgear was a blind. It must be the pattern, she
decided; she was agitated when she cut it out and had made it too big.
Yes, that must be it: she seized the left evening shoe again, hurried
out of the room down the passage until she stood half-breathless once
more before the little dancing girl. She waited a moment to steady
herself and then bent down and, taking the utmost pains to ensure
accuracy, placed the shoe over the stain. She could no longer doubt
her eyes: the stain was too big.
Public-domain text, read in full here on John Shaqi.
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