United States -- History -- Civil War, 1861-1865 -- Fiction; United States -- Social life and customs -- 19th century -- Fiction
So the day passed along, and dusk began to gather in the living-room.
The men were off outdoors somewhere, and the girls were churning in the
butter-room. M’rye had come in with her mending, and sat on the opposite
side of the stove, at intervals casting glances over its flat top to
satisfy herself that my poultice had not sagged down from its proper
place, and that I was in other respects doing as well as could be
expected.
Conversation between us was hardly to be thought of, even if I had not
been so drowsily indolent. M’rye was not a talker, and preferred always
to sit in silence, listening to others, or, better still, going on
at her work with no sounds at all to disturb her thoughts. These long
periods of meditation, and the sedate gaze of her black, penetrating
eyes, gave me the feeling that she must be much wiser than other women,
who could not keep still at all, but gabbled everything the moment it
came into their heads.
We had sat thus for a long, long time, until I began to wonder how she
could sew in the waning light, when all at once, without lifting her
eyes from her work, she spoke to me.
“D’ you know where Ni Hagadorn’s gone to?” she asked me, in a measured,
impressive voice.
“He--he--told me he was a-goin’ away,” I made answer, with weak
evasiveness.
“But where? Down South?” She looked up, as I hesitated, and flashed that
darkling glance of hers at me. “Out with it!” she commanded. “Tell me
the truth!”
Thus adjured, I promptly admitted that Ni had said he was going South,
and could work his way somehow. “He’s gone, you know,” I added, after a
pause, “to try and find--that is, to hunt around after--”
“Yes, I know,” said M’rye, sententiously, and another long silence
ensued.
She rose after a time, and went out into the kitchen, returning with the
lighted lamp. She set this on the table, putting the shade down on one
side so that the light should not hurt my eyes, and resumed her
mending. The yellow glow thus falling upon her gave to her dark, severe,
high-featured face a duskier effect than ever. It occurred to me that
Molly Brant, that mysteriously fascinating and bloody Mohawk queen who
left such an awful reddened mark upon the history of her native Valley,
must have been like our M’rye. My mind began sleepily to clothe the
farmer’s wife in blankets and chains of wampum, with eagles’ feathers
in her raven hair, and then to drift vaguely off over the threshold of
Indian dreamland, when suddenly, with a start, I became conscious that
some unexpected person had entered the room by the veranda-door behind
me.
The rush of cold air from without had awakened me and told me of the
entrance. A glance at M’rye’s face revealed the rest. She was staring
at the newcomer with a dumfounded expression of countenance, her mouth
half-open with sheer surprise. Still staring, she rose and tilted the
lampshade in yet another direction, so that the light was thrown upon
the stranger. At this I turned in my chair to look.
Public-domain text, read in full here on John Shaqi.
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