In the Wrong Paradise, and Other StoriesLang, Andrew
Science
In the Wrong Paradise, and Other Stories
Lang, Andrew
Paranormal fiction; Science fiction, English; Short stories; Slavery -- Fiction
And some in horses and in
bodily feats, and some in dice, and some in harp-playing have delight,
and among them thriveth all fair flowering bliss; and fragrance ever
streameth through the lovely land as they mingle incense of every kind
upon the altars of the gods." In this beautiful country I took great
delight, now watching the young men leaping and running (and they were
marvellously good over a short distance of ground), now sitting in a
chariot whereto were harnessed steeds swifter than the wind, like those
that, Homer says, "the gods gave, glorious gifts, to Peleus." And the
people, young and old, received me kindly, welcoming me in their Greek
speech, which was like the sound of music. And because I had ever been a
lover of them and of their tongue, my ears were opened to understand
them, though they spoke not Greek as we read it. Now when I had beheld
many of the marvels of the Fortunate Islands, and had sat at meat with
those kind hosts (though I only made semblance to eat of what they placed
before me), and had seen the face of Rhadamanthus of the golden hair, who
is the lord of that country, my friends told me that there was come among
them one of my own nation who seemed most sad and sorrowful, and they
could make him no mirth. Then they carried me to a house in a grove, and
all around it a fair garden, and a well in the midst.
Now stooping over the well, that he might have sight of his own face, was
a most wretched man. He was pale and very meagre; he had black rings
under his eyes, and his hair was long, limp, and greasy, falling over his
shoulders. He was clad somewhat after the manner of the old Greeks, but
his raiment was wofully ill-made and ill-girt upon him, nor did he ever
seem at his ease. As soon as I beheld his sallow face I knew him for one
I had seen and mocked at in the world of the living. He was a certain
Figgins, and he had been honestly apprenticed to a photographer; but,
being a weak and vain young fellow, he had picked up modern notions about
art, the nude, plasticity, and the like, in the photographer's workroom,
whereby he became a weariness to the photographer and to them that sat
unto him. Being dismissed from his honest employment, this chitterling
must needs become a model to some painters that were near as ignorant as
himself. They talked to him about the Greeks, about the antique, about
Paganism, about the Renaissance, till they made him as much the child of
folly as themselves. And they painted him as Antinous, as Eros, as
Sleep, and I know not what, but whatever name they called him he was
always the same lank-haired, dowdy, effeminate, pasty-faced
photographer's young man. Then he must needs take to writing poems all
about Greece, and the free ways of the old Greeks, and Lais, and Phryne,
and therein he made "Aeolus" rhyme to "control us." For of Greek this
fellow knew not a word, and any Greek that met him had called him a
Public-domain text, read in full here on John Shaqi.
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