[Greek text], and bidden him begone to the crows for a cursed fellow, and one that made false quantities in every Greek name he uttered. But his little poems were much liked by young men of his own sort, and by some of the young women. Now death had come to Figgins, and here he was in the Fortunate Islands, the very paradise of those Greeks about whom he had always been prating while he was alive. And yet he was not happy. A little lyre lay beside him in the grass, and now and again he twanged on it dolorously, and he tried to weave himself garlands from the flowers that grew around him; but he knew not the art, and ever and anon he felt for his button-hole, wherein to stick a lily or the like. But he had no button-hole. Then he would look at himself in the well, and yawn and wish himself back in his friends' studios in London. I almost pitied the wretch, and, going up to him, I asked him how he did. He said he had never been more wretched. "Why," I asked, "was your mouth not always full of the 'Greek spirit,' and did you not mock the Christians and their religion? And, as to their heaven, did you not say that it was a tedious place, full of pious old ladies and Philistines? And are you not got to the paradise of the Greeks? What, then, ails you with your lot?" "Sir," said he, "to be plain with you, I do not understand a word these fellows about me say, and I feel as I did the first time I went to Paris, before I knew enough French to read the Master's poems. {128} Again, every one here is mirthful and gay, and there is no man with a divinely passionate potentiality of pain. When I first came here they were always asking me to run with them or jump against them, and one fellow insisted I should box with him, and hurt me very much. My potentiality of pain is considerable. Or they would have me drive with them in these dangerous open chariots,--me, that never rode in a hansom cab without feeling nervous. And after dinner they sing songs of which I do not catch the meaning of one syllable, and the music is like nothing I ever heard in my life. And they are all abominably active and healthy. And such of their poets as I admired--in Bohn's cribs, of course--the poets of the Anthology, are not here at all, and the poets who are here are tremendous proud toffs" (here Figgins relapsed into his natural style as it was before he became a Neopagan poet), "and won't say a word to a cove. And I'm sick of the Greeks, and the Fortunate Islands are a blooming fraud, and oh, for paradise, give me Pentonville." With these words, perhaps the only unaffected expression of genuine sentiment poor Figgins had ever uttered, he relapsed into a gloomy silence. I advised him to cultivate the society of the authors whose selected works are in the Greek Delectus, and to try to make friends with Xenophon, whose Greek is about as easy as that of any ancient. But I fear that Figgins, like the Rev.