In the Wrong Paradise, and Other StoriesLang, Andrew
Science
In the Wrong Paradise, and Other Stories
Lang, Andrew
Paranormal fiction; Science fiction, English; Short stories; Slavery -- Fiction
"No, I don't; neither pistol nor knife. If any one shoots me, he shoots
an unarmed man. The local bullies know it, and they have some scruple
about shooting in that case. Besides, they know I am an awkward customer
at close quarters."
Moore relapsed into his Mexican historian, and I into the newspaper.
"Here is a chance of seeing one of your institutions at last," I said.
I had found an advertisement concerning a lot of negroes to be sold that
very day by public auction in Clayville. All this, of course, was
"before the war."
"Well, I suppose you ought to see it," said Moore, rather reluctantly. He
was gradually emancipating his own servants, as I knew, and was even
suspected of being a director of "the Underground Railroad" to Canada.
"Peter," he cried, "will you be good enough to saddle three horses and
bring them round?"
Peter, a "darkey boy" who had been hanging about in the garden, grinned
and went off. He was a queer fellow, Peter, a plantation humourist, well
taught in all the then unpublished lore of "Uncle Remus." Peter had a
way of his own, too, with animals, and often aided Moore in collecting
objects of natural history.
"Did you get me those hornets, Peter?" said Moore, when the black
returned with the horses.
"Got 'em safe, massa, in a little box," replied Peter, who then mounted
and followed at a respectful distance as our squire.
Without many more words we rode into the forest which lay between
Clayville and Moore's plantation. Through the pine barrens ran the road,
and on each side of the way was luxuriance of flowering creepers. The
sweet faint scent of the white jessamine and the homely fragrance of
honeysuckle filled the air, and the wild white roses were in perfect
blossom. Here and there an aloe reminded me that we were not at home,
and dwarf palms and bayonet palmettoes, with the small pointed leaf of
the "live oak," combined to make the scenery look foreign and unfamiliar.
There was a soft haze in the air, and the sun's beams only painted, as it
were, the capitals of the tall pillar-like pines, while the road was
canopied and shaded by the skeins of grey moss that hung thickly on all
the boughs.
Public-domain text, read in full here on John Shaqi.
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