English fiction -- 19th century; Victoria, Queen of Great Britain, 1819-1901 -- Fiction
She could only be prevailed upon to take a seat near him. Horace, beset
with doubts as to his prudence, but unable to keep the secret, began to
recount the story of his meeting with Mrs. Damerel, whom he had now seen
for the second time. Fanny’s curiosity, instantly awakened, grew eager
as he proceeded. She questioned with skill and pertinacity, and elicited
many more details than Nancy Lord had been able to gather.
‘You’ll promise me not to say a word to any one?’ pleaded Horace.
‘I won’t open my lips. But you’re quite sure she’s as old as you say?’
‘Old enough to be my mother, I assure you.’
The girl’s suspicions were not wholly set at rest, but she made no
further display of them.
‘Now just think what an advantage it might be to you, to know her,’
Horace pursued. ‘She’d introduce you at once to fashionable society,
really tip-top people. How would you like that?’
‘Not bad,’ was the judicial reply.
‘She must have no end of money, and who knows what she might do for me!’
‘It’s a jolly queer thing,’ mused the maiden.
‘There’s no denying that. We must keep it close, whatever we do.’
‘You haven’t told anybody else?’
‘Not a soul!’ Horace lied stoutly.
They were surprised by the sudden opening of the door; a servant
appeared to clear the table. Fanny reprimanded her for neglecting to
knock.
‘We may as well go into the drawing-room. There’s nobody particular.
Only Mrs. Middlemist, and Mr. Crewe, and--’
In the hall they encountered Crewe himself, who stood there conversing
with Beatrice. A few words were exchanged by the two men, and Horace
followed his enchantress into the drawing-room, where he found, seated
in conversation with Mrs. Peachey, two persons whom he had occasionally
met here. One of them, Mrs. Middlemist, was a stout, coarse,
high-coloured woman, with fingers much bejewelled. Until a year or
two ago she had adorned the private bar of a public-house kept by her
husband; retired from this honourable post, she now devoted herself to
society and the domestic virtues. The other guest, Mrs. Murch by name,
proclaimed herself, at a glance, of less prosperous condition, though
no less sumptuously arrayed. Her face had a hungry, spiteful, leering
expression; she spoke in a shrill, peevish tone, and wriggled nervously
on her chair. In eleven years of married life, Mrs. Murch had borne six
children, all of whom died before they were six months old. She lived
apart from her husband, who had something to do with the manufacture of
an Infants’ Food.
Fanny was requested to sing. She sat down at the piano, rattled a
prelude, and gave forth an echo of the music-halls:
‘_It’s all up with poor Tommy now. I shall never more be happy, I vow.
It’s just a week to-day Since my Sairey went away, And it’s all up with
poor Tommy now_.’
Mrs. Middlemist, who prided herself upon serious vocal powers, remarked
that comic singing should be confined to men.
Public-domain text, read in full here on John Shaqi.
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