In Wildest Africa, Vol. 1Schillings, C. G. (Carl Georg)
History
In Wildest Africa, Vol. 1
Schillings, C. G. (Carl Georg)
Africa, Central -- Description and travel; Hunting -- Africa; Natural history -- Africa; Nature photography
But in this department it is to all increasing extent the duty of our
German museums to promote a knowledge of and an interest in the animal
world of far-off lands by the display of ample collections, so arranged
as to convey instruction. There has already been gratifying progress in
this respect, but it is clear that for the development of these ideas
we need more extensive, up-to-date buildings for our collections and
museums. Other countries, especially England, and above all America,
are far in advance of us in this matter. Our zoological gardens have
the task of putting the _living_ animal world before us. Happily we are
doing this by far-sighted methods. To the Zoological Gardens of Berlin
belongs the credit of having, to a continually increasing extent,
arranged a display of the animal world in appropriate surroundings,
and with reference to systematic classification and to its relations
with geographical distribution and ethnological science, so far as
one can assume the connection or companionship of certain species
with man. There we see the disappearing species of wild cattle
housed, each according to its peculiar character, in enclosures that
are strictly true to nature, and artistically designed. Thus, for
instance, the American bison--now hardly to be obtained for its weight
in gold is shown in surroundings that remind us of the North American
Indians, these also a disappearing race. The ostrich-house takes us
back to the land of the Pharaohs, of which the ostrich was once a
characteristic inhabitant, as well as the ichneumon, the crocodile,
and the hippopotamus. Then the class of rodents is brought before
us in almost poetical surroundings, that seem quite to justify the
German animal stories of the Middle Ages, and that are calculated to
produce quite a different effect on the mind from that of a stiffly
arranged exhibition of the regulation type, especially in the case of
the rising generation. But on account of the difficulty of securing
and maintaining certain species, and their shortness of life in close
captivity, our zoological gardens can only properly carry out their
programme so long as it is possible for them to continually renew their
stock of animals.
On the other hand, the museums are all the more responsible for setting
before our eyes the various species of animals even long after these
have become extinct, and they must do this by means of works of art
executed by the hand of man, masterpieces of taxidermy.
Public-domain text, read in full here on John Shaqi.
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