Americans -- Italy -- Fiction; Italy -- Fiction; Love stories; Middle-aged men -- Fiction; Midlife crisis -- Fiction
She returned his look, and then she dropped the pebble and put her hand
back in her muff, and turned and ran up the bank. "There's the carriage.
It's time we should be going." At the top of the bank she became a
mirror of dignity, a transparent mirror to his eye. "Are you going back
to town, Mr. Colville?" she asked, with formal state. "We could set you
down anywhere!"
"Thank you, Miss Graham. I shall be glad to avail myself of your very
kind offer. Allow me." He handed her ceremoniously to the carriage; he
handed Effie Bowen even more ceremoniously to the carriage, holding his
hat in one hand while he offered the other. Then he mounted to the seat
in front of them. "The weather has changed," he said.
Imogene hid her face in her muff, and Effie Bowen bowed hers against
Imogene's shoulder.
A sense of the girl's beauty lingered in Colville's thought all day, and
recurred to him again and again; and the ambitious intensity and
enthusiasm of her talk came back in touches of amusement and compassion.
How divinely young it all was, and how lovely! He patronised it from a
height far aloof.
He was not in the frame of mind for the hotel table, and he went to
lunch, at a restaurant. He chose a simple trattoria, the first he came
to, and he took his seat at one of the bare, rude tables, where the
joint saucers for pepper and salt, and a small glass for toothpicks,
with a much-scraped porcelain box for matches, expressed an uncorrupted
Florentinity of custom. But when he gave his order in offhand Italian,
the waiter answered in the French which waiters get together for the
traveller's confusion in Italy, and he resigned himself to whatever
chance of acquaintance might befall him. The place had a companionable
smell of stale tobacco, and the dim light showed him on the walls of a
space dropped a step or two lower, at the end of the room, a variety of
sketches and caricatures. A waiter was laying a large table in this
space, and when Colville came up to examine the drawings he jostled him,
with due apologies, in the haste of a man working against time for
masters who will brook no delay. He was hurrying still when a party of
young men came in and took their places at the table, and began to rough
him for his delay. Colville could recognise several of them in the
vigorous burlesques on the walls, and as others dropped in the grotesque
portraitures made him feel as if he had seen them before. They all
talked at once, each man of his own interests, except when they joined
in a shout of mockery and welcome for some new-comer. Colville, at his
_risotto_, almost the room's length away, could hear what they thought,
one and another, of Botticelli and Michelangelo; of old Piloty's things
at Munich; of the dishes they had served to them, and of the quality of
the Chianti; of the respective merits of German and Italian tobacco; of
whether Inglehart had probably got to Venice yet; of the personal habits
Public-domain text, read in full here on John Shaqi.
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