India -- Social life and customs -- Fiction; Short stories, English
"This boy," said Imam Din, judicially, "is a _budmash_--a big _budmash_.
He will, without doubt, go to the _jail-khana_ for his behavior." Renewed
yells from the penitent, and an elaborate apology to myself from Imam Din.
"Tell the baby," said I, "that the _Sahib_ is not angry, and take him
away." Imam Din conveyed my forgiveness to the offender, who had now
gathered all his shirt round his neck, stringwise, and the yell subsided
into a sob. The two set off for the door. "His name," said Imam Din, as
though the name were part of the crime, "is Muhammad Din, and he is a
_budmash_." Freed from present danger, Muhammad Din turned round in his
father's arms, and said gravely, "It is true that my name is Muhammad Din,
_Tahib_, but I am not a _budmash_. I am a _man!_"
From that day dated my acquaintance with Muhammad Din. Never again did he
come into my dining-room, but on the neutral ground of the garden, we
greeted each other with much state, though our conversation was confined
to "_Talaam, Tahib_" from his side, and "_Salaam, Muhammad Din_" from
mine. Daily on my return from office, the little white shirt, and the fat
little body used to rise from the shade of the creeper-covered trellis
where they had been hid; and daily I checked my horse here, that my
salutation might not be slurred over or given unseemly.
Muhammad Din never had any companions. He used to trot about the compound,
in and out of the castor-oil bushes, on mysterious errands of his own. One
day I stumbled upon some of his handiwork far down the grounds. He had
half buried the polo-ball in dust, and stuck six shriveled old marigold
flowers in a circle round it.
Outside that circle again was a rude square, traced out in bits of red
brick alternating with fragments of broken china; the whole bounded by a
little bank of dust. The water-man from the well-curb put in a plea for
the small architect, saying that it was only the play of a baby and did
not much disfigure my garden.
Public-domain text, read in full here on John Shaqi.
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