Interpretations of Poetry and Religion — John Shaqi
Interpretations of Poetry and ReligionSantayana, George
Religion
Interpretations of Poetry and Religion
Santayana, George
Aesthetics; Literature -- History and criticism; Poetry; Religion
We may well doubt, however, whether men in general will ever be ready
to accept so austere a theology in guise of a religion; they were
certainly not ready to do so at the end of the classical period. The
inheritance of Paganism fell instead to Christianity, in which ethical
and naturalistic elements were again united, although united in a new
way. For, while the scheme of Paganism, and of all the philosophies
that sought to rationalize Paganism, was cosmic and static, the scheme
of Christianity was historical. They spoke of the dynamic relations of
heaven and earth, or of the immutable hierarchy of ideas and essences;
even Aristotle's God was somehow in spatial relations to the Universe
which he set in motion. The religion of the Hebrews, on the other
hand, had been essentially historical and civic: it had been concerned
with the moral destinies of Israel and the dealings of Jehovah with
his people. Christianity inherited this historical character; its
mysteries occurred in time. Not only the redemption of the world but
the vocation and sanctification of the individual were progressive,
and when the habits and problems of Christian theology were carried
over by the German idealists into the region of pure metaphysics, the
systems they conceived were still systems of evolution. God was to be
manifest in the development of things. For Christianity in its own way
had spoken from the beginning of a gradual and yet to be completed
descent of the divine into the natural by the agency of prophecy, law,
and sacramental institutions; it had represented the relations of God
to man in a vast historic drama, of which creation constituted the
opening, the fall and redemption the nexus, and the last judgment the
unravelling.
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