Introducing Irony: A Book of Poetic Short Stories and PoemsBodenheim, Maxwell
General
Introducing Irony: A Book of Poetic Short Stories and Poems
Bodenheim, Maxwell
American fiction -- 20th century; American poetry -- 20th century; Short stories, American
The two men tilted their gaudiness into imperceptible bows and
departed. King Ferdinand and his wife stood staring at each other as
though their bodies were teasing curtains. Then, without remembering
what had occurred, they let gay words poke each other and began to
discuss colors for the monk’s figure rising from cupped hands and
blossoming into indistinct triumph.
That night their carriage stopped upon a hilltop and they were killed
by three men. One of the three had a thin nose and a brown beard--the
tight inquisitiveness of a bright uniform revealed his tall body. Among
historians he was to be noted as the man who killed an imbecile king
and led his country to glory and prosperity.
PSYCHIC PHENOMENA
Carl Dell and Anita Starr were speaking of a dead woman who had
influenced their eyes. She had also refined their heads to a chill
protest. Their faces, involved and disconsolate, had not solved her
absence, and their voices were freighted with a primitive martyrdom.
Carl was fencing with the end of his youth. His body held that
inpenetrable cringing which pretends to ignore the coming of middle age
and is only betrayed by rare gestures. He was tall, with a slenderness
that barely escaped being feminine. The upper part of his face was
scholarly and the lower part roguish, and the two gave him the effect
of a sprite who has become erudite but still retains the memory of
his former identity. His protruding eyes were embarrassed, as though
someone behind them had unexpectedly pushed them from a refuge. With
immense finesse they apologised for intruding upon the world. It is
almost tautology to say that they were gray. His small brown moustache
had a candidly misplaced air as it touched the thin bacchanale of his
lips. It was a mourner at the feast.
Anita Starr’s form would have seemed stout but for the sweeping
discipline of its lines, but this careful suppression ended in a riot
when it came to her face. Her face was a small, lyrical revel that had
terminated in a fight. Her nose and chin were strident but her cheeks
and mouth were subtlely unassuming. Her blue eyes brilliantly and
impartially aided both sides of the conflict. Glistening spirals of
reddish brown hair courted her head.
Sitting in the parlor of the Starr home Anita and Carl spoke of a
dead woman who had influenced their eyes. It was two A. M. and the
atmosphere resembled a disillusioned reminiscence: still and heavy.
They had talked about this dead woman throughout the evening,
welcoming any sound that might surprise her profile into life. When
alive she had been the chanting whirlpool of their existences, and when
she died sound ceased for them. Their voices became mere copies of its
past reign.
“Because I loved her any common pebble became a chance word concerning
her and flowers were enthusiastic anecdotes of her presence,” said Carl.
For an hour he had been breaking his love into insatiable
variations--one who seduces the fleeting expressions of a past torture.
Public-domain text, read in full here on John Shaqi.
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