Introducing Irony: A Book of Poetic Short Stories and PoemsBodenheim, Maxwell
General
Introducing Irony: A Book of Poetic Short Stories and Poems
Bodenheim, Maxwell
American fiction -- 20th century; American poetry -- 20th century; Short stories, American
The night was incredibly sophisticated but held the pungently awkward
body of a youth, crashing against trees and bushes. This mixture
pierced Mrs. Robert Calvin Taylor and slid far beneath those sensual
routines which are the delight of psycho-analysts--slid to a depth
where aesthetic passion slays the flesh and blends it into a sexless
potency. She felt a sense of bodiless conflagration striding with wide
steps beside the night. When the limitless glow died within her, she
glanced down and found that she was naked. The complicated shrewdness
of her clothes had disappeared.
By this time she had ceased to be Mrs. Robert Calvin Taylor--she had
become an expectant novice in a new world, and even the jazz music
and ballroom laughter had changed to the mumbled rumours of a past
existence. Therefore her nakedness failed to disconcert her. She
touched her shoulder, with a gesture of matter-of-fact congratulation,
and loosened her hair to rid herself of a last dab of incongruity.
Then she rose from the stone bench and walked down a pathway leading
to the great lake that bounded one side of her country estate. She
felt the powerful and sober curiosity of one who has decided to become
a recluse and examines the deserted possibilities of his roofless
plateau. She reached a high bluff rising over the placid vanity of
the huge lake, combing its bluish black hair with moonlight. Suddenly
she became aware of a figure standing beside her. She turned with
a gasp of strangled aloofness. The ethereal composure of her small
face, defended by moonlight, sheered into an ebony cast of hermit-like
annoyance. But when the color and outlines of the figure shrunk within
her eyes, her face changed again. An astounded immersion crowned her
head, tugging at her short nose, straightening her thick lips, and
cleaving her gray eyes. The slightly deteriorated slenderness of her
short body lowered a bit toward the earth, not from fear but because
of a weakening incredulity. The figure before her was that of a
sexless human being, small and slim of statute, nude, and hued with
an inhumanly concentrated black. The head held large eyes that shone
like metaphysical diamonds, as though ten thousand stars were carousing
together, in a realm of compressed light. The figure spoke to Mrs.
Robert Calvin Taylor, and its voice seemed thrown forth by the rays
from its eyes. The voice was distinct and subdued.
“You are not a hermit who has turned a garden into a solitary castle,”
said the figure.
“What am I?” asked Mrs. Robert Calvin Taylor.
“Your mind and heart are no longer clad in their heavy mirages of love,
fear, and sleep,” said the figure. “The surface pictures have gone and
the twin bazaars of your heart and mind are exchanging a long-deferred
greeting. Within the now mingled bazaars emotions and thoughts have
become friends and sell each other endless variations in color, light,
and form. I am the being who rules this proceeding.”
Public-domain text, read in full here on John Shaqi.
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