scores of letters, written by him as a young student to his father,
among the papers of Dr Jedediah Morse, that would have shown
conclusively his interest and aptitude in these studies. The papers
were brought to light when the life of Morse by Prime came to be
written.
The first part of Morse's life was devoted to art. At a very early age
he showed his taste in this direction, and at the age of fifteen painted
a fairly good picture in water colors of a room in his father's house,
with his parents, himself, and two brothers around a table. This picture
used to hang in his home in New York by the side of his last painting.
From that time his desire to become an artist haunted him through his
collegiate life. In February, 1811, he painted a picture, now in the
office of the mayor of Charlestown, Mass., depicting the landing of the
Pilgrims at Plymouth, which, with a landscape painted at about the same
time, decided his father, by the advice of Stuart, to permit him to
visit Europe with Washington Allston. He bore letters to West and to
Copley, from both of whom he received the kindest attention and
encouragement.
As a test for his fitness for a place as student in the Royal Academy,
Morse made a drawing from a small cast of the Farnese Hercules. He took
this to West, who examined the drawing carefully and handed it back,
saying: "Very well, sir, very well; go on and finish it." "It is
finished," said the expectant student. "Oh, no," said the president.
"Look here, and here, and here," pointing out many unfinished places
which had escaped the eye of the young artist. Morse quickly observed
the defects, spent a week in further perfecting his drawing, and then
took it to West, confident that it was above criticism. The venerable
president of the Academy bestowed more praise than before and, with a
pleasant smile, handed it back to Morse, saying: "Very well, indeed,
sir. Go on and finish it." "Is it not finished?" inquired the almost
discouraged student. "See," said West, "you have not marked that muscle,
nor the articulation of the finger-joints." Three days more were spent
upon the drawing, when it was taken back to the implacable critic. "Very
clever, indeed," said West; "very clever. Now go on and finish it." "I
cannot finish it," Morse replied, when the old man, patting him on the
shoulder, said: "Well, I have tried you long enough. Now, sir, you have
learned more by this drawing than you would have accomplished in double
the time by a dozen half-finished beginnings. It is not many drawings,
but the character of one which makes a thorough draughtsman. Finish one
picture, sir, and you are a painter."
Public-domain text, read in full here on John Shaqi.
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