Fathers and daughters -- Fiction; Social classes -- England -- Fiction
"I must confess ..." said Judith hesitatingly--"I must confess to
having very little sympathy with men who want to marry their deceased
wives' sisters. It's a question of taste, according to me--nothing to
do with the high moralities." The implied sneer against all moral law
was no discomfort to her hearer. On the contrary, spoken as it was by
a good-looking young lady in a sunset light, it seemed to him alike
picturesque and liberal. But he changed the conversation suddenly, as
though something in it had disagreed with him.
"What a capital photographer the great Athelstan seems to be!" He said
it with a definite air of "Let us talk of something else." She glanced
round at him, decided with some surprise that she had shocked him, but
answered without showing it. She was quite a woman of the world, was
Judith.
"He's a splendid photographer. You know he took all those photos for
'Ten Years of Slum Growth'--my cousin's book?" Mr. Challis pretended he
knew this book; but he didn't. "I made him come and photograph my own
special slum population in Tallack Street. But Lady Elizabeth wouldn't
have them in the book. She said Tallack Street could hardly rank as a
slum, in her sense of the word."
"Was it too swell?"
"She said so. Well!--you shall see the photographs, and judge for
yourself."
But the conversation had fallen flat. A chill had come. Even the
discovery that the moon had risen when we were not looking did nothing
to remove it. We were not young enough, probably, or not old enough,
for lunar influences. Indifference to Phoebe begins with maturity, and
even outlasts it. So thought Mr. Challis, when rather mechanically
called on to admire the silver disc, shot with gold, just getting clear
of a purple gloom that was the hallowed smoke of unholy Grime--hallowed
by the sun's last word to twilight, its heir-at-law and sole executor.
For all that, Mr. Challis made notes in this connection for literary
purposes, while Judith thought to herself that this would never do.
She must make an effort, or the skein she was going to twist round her
finger would float away and be lost.
"I know I shocked you just now," said she.
"Shocked me?--when?"
"Just before we got to the photography...."
"I have quite forgotten. What were we saying?" This was not true; he
remembered perfectly.
"How kind of you to pretend to forget! Forgive my disbelieving you."
Challis was open to a recrudescence of veracity. Perhaps it _was_
a fib this time--he made the admission. But as he made it, he was
again conscious of the soul-brush at work. Had he perceived the
skein-analogy, he might have recognized its first clip round the
finger. "We were talking of the Deceased Wife's Sister Bill, I think,"
said he. "But why you think you shocked me I can't imagine."
"Never mind!--if you don't recollect. But Sibyl would have lectured me.
She always says I ridicule Moral Law. Perhaps I do, in a certain sense.
But Sibyl is the soul of propriety."
Public-domain text, read in full here on John Shaqi.
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