It was a Lover and His LassOliphant, Mrs. (Margaret)
General
It was a Lover and His Lass
Oliphant, Mrs. (Margaret)
Scotland -- Social life and customs -- 19th century -- Fiction
"Hush," Mrs. Seton said to a little group about her. "Just hold your
tongues, young people. There is to be something rational to begin with;
and let me see that you take advantage of your opportunities, for it
is not often you can hear good music. Nonsense, Katie, not a word. Do
you not see that the sooner he begins, the sooner it will be over? and
I am just bound to ask him to play, after yesterday. Little monkeys,"
the minister's wife continued, seating herself beside Miss Jean.
"They would like to have it all their own way; but I always insist on
something rational to begin with. Oh, yes, yes, a great treat; some
really good music. It is not often we hear it. And this is just an
opportunity, you know, a most unusual chance. Well, we do not know very
much about him, but he is a most well-mannered young man, brought up
abroad, which accounts for various little things in his appearance, and
so forth. And just a beautiful performer on the piano. I wonder what
that is. It sounds to me like Mozart, or Beethoven, or some of those
that you don't so commonly hear. Bach, do you think? Well, I should not
wonder. You know, songs are my branch."
Lewis had gone into the first movement of his sonata before he had at
all taken into consideration the character of his audience. He was,
in reality, though Mrs. Seton took up the belief entirely without
evidence, a very good performer, and had played to difficult audiences,
whose applause was worth having. After the first few minutes, it became
apparent to him by that occult communication which is in the air, and
which our senses can give no account of, that this audience was not
only unprepared but very much taken aback by the prospect of even half
an hour of the really good music and rational enjoyment which their
hostess promised. He could see when he suffered his eyes to stray on
a momentary rapid survey of the side of the room which was visible to
him, the excellent Mrs. Borrodaile, with her fat hands crossed in her
lap, and the air of a woman who knew her duty and was determined to do
it. Stormont stood bolt upright in the corner, now and then lifting his
eyebrows, or lowering them, or even forming syllables with his lips
in telegraphic communication with one or other of the young ladies
which showed impatience bursting through decorum in a guarded but very
evident way. The minister, with resignation depicted in every line,
even of his beard, turned vaguely over the leaves of a book. When the
movement came to an end, there was a long breath of unquestionable
relief on the part of the company generally.
"That's a very pretty thing," said Mrs. Borrodaile, almost enthusiastic
in the happiness of its being done with.
"Oh, hush, hush; that's only the first part. Dear me, do you not know
that there are different parts in a great piece of music like that? Go
back, go back to your seat," whispered Mrs. Seton, loudly.
Public-domain text, read in full here on John Shaqi.
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