This pope, Paul III, who so maltreated Cellini, did much for St. Angelo
to improve it as a residence. He added the upper floor to the papal
apartments and caused it to be decorated magnificently by the best
living artists, painters and sculptors, who endowed it with many
inestimable art treasures, some of which are still preserved. The great
hall of Paul III is still in existence. It was used as a council chamber
and adorned with fresco paintings by Perino del Vaga, representing the
history of Alexander the Great, which are still intact. At one end is a
colossal portrait of Hadrian, the founder of the mausoleum, and opposite
it a fresco of the archangel Michael with his wings spread, the original
model for the great statue on the top of the castle. The square hall
which Paul built is richly decorated with figures in relief by Julio
Romano and above them is a graceful frieze of Tritons and Nereids
disporting in the sea.
Yet this beautiful residence of the papal court was still the scene of
cruel imprisonment. A number of noblemen, including two cardinals,
Caraffa and the duke of Palliano, were imprisoned there, charged with
heinous crimes. A slow, wearisome trial followed, and after nearly a
year Cardinal Carlo Caraffa was found guilty of murder and was strangled
the following night in the square hall. At the same time, in the Tor di
Nona across the river, the duke and two others were beheaded, while
Cardinal Alfonso Caraffa was heavily fined. Yet under the next pope,
Pius V, the sentences were declared unjust and the judge who had
pronounced them was in his turn decapitated.
Rome continued in a turbulent state. At the meeting of another conclave,
the people rose, broke open the prisons and set free four hundred
prisoners. The palace of the Inquisition was also attacked and many
persons who had long languished there without trial were liberated,
while the chief Inquisitor, Ghislieri, who subsequently became pope,
all but forfeited his life. The mob went raging through the streets,
casting down precious statues and destroying ancient monuments; but
peace was presently restored through the efforts of two powerful
noblemen, and the new pope, Pius IV (a Medicis), granted an amnesty and
pardon to all offenders. He took the precaution to guard against future
riots by strongly fortifying the Borgo and constructing a new enclosure
which took in the castle of St. Angelo, the Vatican and St. Peter’s,
having space within for the marshalling and manœuvre of a large body
of cavalry. The castle at this date, 1580-5, is described as having a
double cincture of fortifications, a large round tower overlooking the
inner end of the bridge, two other towers with lofty pinnacles
surmounted by the cross, and all surrounded by the river.
CHAPTER V
SIXTUS THE FIFTH
Public-domain text, read in full here on John Shaqi.
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