The rear of the party was brought up by a large, powerfully-built
man, with a bluff, honest, but rugged countenance, slashed with many
a cut and scar, and stamped with that surly, sturdy, bull-dog-like
look, which an Englishman always delights to contemplate, because he
conceives it to be characteristic of his countrymen. This formidable
person, who was no other than the renowned Figg, the “Atlas of the
sword,” as he is termed by Captain Godfrey, had removed his hat and
“skull covering,” and was wiping the heat from his bepatched and
close-shaven pate. His shirt also was unbuttoned, and disclosed a
neck like that of an ox, and a chest which might have served as
a model for a Hercules. He had a flattish, perhaps, it should be
called, a _flattened_ nose, and a brown, leathern-looking hide,
that seemed as if it had not unfrequently undergone the process of
tanning. Under his arm he carried a thick, knotted crab-stick. The
above description of
--the great Figg, by the prize-fighting swains
Sole monarch acknowledged of Mary'bone plains--
may sound somewhat tame by the side of the glowing account given of
him by his gallant biographer, who asserts that “there was a majesty
shone in his countenance, and blazed in his actions, beyond all I
ever saw;” but it may, possibly, convey a more accurate notion of
his personal appearance. James Figg was the most perfect master of
self-defence of his day. Seconded by his strength and temper, his
skill rendered him invincible and he is reputed never to have lost
a battle. His imperturbable demeanour in the fight has been well
portrayed by Captain Godfrey, who here condescends to lay aside
his stilts. “His right leg bold and firm, and his left, which could
hardly ever be disturbed, gave him a surprising advantage, and
struck his adversary with despair and panic. He had a peculiar way of
stepping in, in a parry; knew his arm, and its just time of moving;
put a firm faith in that, and never let his opponent escape. He was
just as much a greater master than any other I ever saw, as he was a
greater judge of time and measure.” Figg's prowess in a combat with
Button has been celebrated by Dr. Byrom,--a poet of whom his native
town, Manchester, may be justly proud; and his features and figure
have been preserved by the most illustrious of his companions on the
present occasion,--Hogarth,--in the levée in the “Rake's Progress,”
and in “Southwark Fair.”
On the appearance of his visitors, Sheppard arose,--his gyves
clanking heavily as he made the movement,--and folding his arms,
so far as his manacles would permit him, upon his breast, steadily
returned the glances fixed upon him.
“This is the noted house-breaker and prison-breaker, gentlemen,” said
Mr. Pitt, pointing to the prisoner.
Public-domain text, read in full here on John Shaqi.
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