“Insult you! not I;” returned Figg. “Heard of your escapes. Everybody
talking of you. Wished to see you. Old pupil. Capital swordsman.
Shortly to be executed. Come to take leave. Trifle useful?” he added,
slipping a few gold pieces into Jack's hand.
“You are very kind,” said Jack, returning the money; “but I don't
require assistance.”
“Too proud, eh?” rejoined the prize-fighter. “Won't be under an
obligation.”
“There you're wrong, Mr. Figg,” replied Jack, smiling; “for, before
I'm taken to Tyburn, I mean to borrow a shirt for the occasion from
you.”
“Have it, and welcome,” rejoined Figg. “Always plenty to spare. Never
bought a shirt in my life, Mr. Gay,” he added, turning to the poet.
“Sold a good many, though.”
“How do you manage that, Mr. Figg?” asked Gay.
“Thus,” replied the prize-fighter. “Proclaim a public fight.
Challenge accepted. Fifty pupils. Day before, send round to each to
borrow a shirt. Fifty sent home. All superfine holland. Wear one on
the stage on the following day. Cut to pieces--slashed--bloodied.
Each of my scholars thinks it his own shirt. Offer to return it to
each in private. All make the same answer--'d--n you, keep it.'”
“An ingenious device,” laughed Gay.
Sir James Thornhill's preparations being completed, Mr. Pitt desired
to know if he wanted anything further, and being answered in the
negative, he excused himself on the plea that his attendance was
required in the court at the Old Bailey, which was then sitting, and
withdrew.
“Do me the favour to seat yourself, Jack,” said Sir James.
“Gentlemen, a little further off, if you please.”
Sheppard immediately complied with the painter's request; while Gay
and Figg drew back on one side, and Hogarth on the other. The latter
took from his pocket a small note-book and pencil.
“I'll make a sketch, too,” he said. “Jack Sheppard's face is well
worth preserving.”
After narrowly examining the countenance of the sitter, and motioning
him with his pencil into a particular attitude, Sir James Thornhill
commenced operations; and, while he rapidly transferred his
lineaments to the canvass, engaged him in conversation, in the course
of which he artfully contrived to draw him into a recital of his
adventures. The _ruse_ succeeded almost beyond his expectation.
During the narration Jack's features lighted up, and an expression,
which would have been in vain looked for in repose, was instantly
caught and depicted by the skilful artist. All the party were greatly
interested by Sheppard's history--especially Figg, who laughed loud
and long at the escape from the Condemned Hold. When Jack came to
speak of Jonathan Wild, his countenance fell.
“We must change the subject,” remarked Thornhill, pausing in his
task; “this will never do.”
“Quite right, Sir James,” said Austin. “We never suffer him to
mention Mr. Wild's name. He never appears to so little advantage as
when speaking of him.”
“I don't wonder at it,” rejoined Gay.
Public-domain text, read in full here on John Shaqi.
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