Jacqueline of Golden RiverEmanuel, V. R. (Victor Rousseau)
Philosophy
Jacqueline of Golden River
Emanuel, V. R. (Victor Rousseau)
Fiction
While I was pondering upon my next movement, heavy footsteps fell on
the story above me, and a man began coming down the stairs. I stole
into the dark room in front of me, and had hardly ensconced myself
there than he brushed past and went into the room at the end of the
hallway.
And I was certain that he was Leroux.
It was evident that he had not closed the door behind him, for the
sounds of the fiddle and of the revellers became much more distinct, I
had left my snowshoes near the entrance to the tunnel, and my moccasins
made no sound upon the floor.
I crept out of my hiding place and went toward the open door. As I had
surmised, this was the place of the assemblage. I crouched there, with
my pistol in my hand. On the opposite side of the room Simon Leroux
was standing, a sneering smile upon his face.
The scene I saw through the crack of the door quite took my breath away.
The room was an enormous one, evidently forming the entire central
portion of the _chateau_. It was a ballroom, or had been a ballroom,
once, for it had a wide hardwood floor, somewhat worn and uneven. The
walls were hung with portraits, evidently of the owner's ancestors, for
I caught a glimpse of several faces in wigs and periwigs.
The furniture was of an old type. Pushed against one wall, near where
Leroux stood, was an ancient piano, and standing upon the other side an
old man played upon a violin.
He must have been nearly eighty years of age. His face had fallen in
over the toothless gums, leaving the prominent cheek-bones protruding
like those of a skull, and his head was a heavy mat of straight grey
hair. He looked like a full-blooded Indian.
Two couples were dancing on the floor. Each man had an Indian woman.
One was middle-aged; the other, a comely young girl with heavy silver
earrings, was laughing noisily as her companion dragged her to a
standstill in front of the fiddler.
"Play faster, Pierre Caribou!" he yelled, pushing the old man backward.
It was the man with the patch!
"Be quiet, Jean Petitjean!" exclaimed the girl, giving him a mock blow.
"Thou shall not hurt my father!"
They laughed drunkenly and resumed the dance. The man with the older
woman was not--greatly to my surprise--Jean Petitjean's companion of
the night. The woman was addressing him as Raoul. She seemed trying
to quiet him, for he was shouting boisterously as he twirled.
From his post across the room Leroux watched the proceedings with his
sneering smile.
Flaring candles were set in sconces of wrought iron around the room,
casting a pallid light upon the scene, and so unreal it would have been
but for my recognition of the men that I might have expected it to
disappear before my eyes.
I crept back from the door and, tracing my journey along the corridor,
began to ascend the stairs.
Public-domain text, read in full here on John Shaqi.
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