In the matter of clothing we have little except hints to guide us in
forming inferences. The rituals enumerate(72) “bright cloth, soft cloth,
and coarse cloth.” Mr. Satow remarks(73) on this enumeration that “in the
earliest ages the materials used were the bark of the paper-mulberry
(_broussonetia papyrifera_), wistaria tendrils and hemp, but when the
silkworm was introduced the finer fabric naturally took the place of the
humbler in the offerings to the gods.” The paper-mulberry which is now
used for making paper, was in early times twisted into a thread and woven
into a very serviceable cloth. Cotton(74) which now furnishes so large a
part of the clothing of the people is nowhere mentioned. The skins of
animals were doubtless used as clothing before the introduction of
Buddhism made the killing of animals uncommon. In the legend of the
purification of Izanagi(75) we read of a girdle, of a skirt, of an upper
garment, of trousers, and of a hat. What the shapes of these garments were
we cannot tell, but the number of different garments indicates a
considerable development in the ideas of clothing. In the same myth, and
in many other places, mention is made of the bracelets which Izanagi wore
on the left and right arm. And when he wished to show his pleasure in the
daughter who had been produced in washing his left eye, he invested her
with his necklace taken from his own neck. Jewelry seems in these
prehistoric times to have been more commonly worn than in modern
historical times. The jewels(76) used were the _magatama_ and _kudatama_
which have been found in the ancient burial places.
[Illustration]
Magatama and Kudatama.
Rings have also been found which are believed to date back to prehistoric
times. From the clay images which have come down to us it is now
ascertained that the rings were worn as ornaments to the ears and never as
rings to the fingers. These rings are of copper or bronze, plated with
gold or silver. Combs and mirrors are spoken of, but how the metal mirrors
are made we do not know.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account