Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
General
Japanese Literature: Including Selections from Genji Monogatari and Classical Poetry and Drama of Japan
Japan -- Literary collections; Japanese literature -- Translations into English
Thus was poor Kokimi, on the one hand, reproached by Genji for not
doing enough, and on the other by his sister for being too officious!
was he not in a very happy position! Yet, notwithstanding her words,
he ventured to draw from his dress the paper he had picked up in
Genji's apartment, and offered it to her. The lady hesitated a moment,
though somewhat inclined to read it, holding it in her hand for some
little time, undecided. At length she ventured to throw her eyes over
its contents. At once the loss of her scarf floated upon her mind as
she read, and, taking up her pen, wrote on part of the paper where
Genji had written his verses, the words of a song:--
"Amidst dark shadows of the tree,
Cicada's wing with dew is wet,
So in mine eyes unknown to thee,
Spring sweet tears of fond regret."
FOOTNOTES:
[Footnote 51: Ji and Koh are the names of certain positions in the
game of "Go."]
CHAPTER IV
EVENING GLORY
It happened that when Genji was driving about in the Rokjio quarter,
he was informed that his old nurse, Daini, was ill, and had become a
nun. Her residence was in Gojio. He wished to visit her, and drove to
the house. The main gate was closed, so that his carriage could not
drive up; therefore, he sent in a servant to call out Koremitz, a son
of the nurse.
Meantime, while awaiting him, he looked round on the deserted terrace.
He noticed close by a small and rather dilapidated dwelling, with a
wooden fence round a newly-made enclosure. The upper part, for eight
or ten yards in length, was surrounded by a trellis-work, over which
some white reed blinds--rude, but new--were thrown. Through these
blinds the indistinct outline of some fair heads were faintly
delineated, and the owners were evidently peeping down the roadway
from their retreat. "Ah," thought Genji, "they can never be so tall as
to look over the blind. They must be standing on something within. But
whose residence is it? What sort of people are they?" His equipage was
strictly private and unostentatious. There were, of course, no
outriders; hence he had no fear of being recognized by them. And so he
still watched the house. The gate was also constructed of something
like trellis-work, and stood half open, revealing the loneliness of
the interior. The line: "Where do we seek our home?" came first into
his mind, and he then thought that "even this must be as comfortable
as golden palaces to its inmates."
A long wooden rail, covered with luxuriant creepers, which, fresh and
green, climbed over it in full vigor, arrested his eye; their white
blossoms, one after another disclosing their smiling lips in
unconscious beauty. Genji began humming to himself: "Ah! stranger
crossing there." When his attendant informed him that these lovely
white flowers were called "Yugao" (evening-glory), adding, and at the
same time pointing to the flowers, "See the flowers _only_,
flourishing in that glorious state."
Public-domain text, read in full here on John Shaqi.
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